the enchanted valley and things that do not happen

Hello!

You may have read an early draft of this story, about the Duckabush Arson of last year, from a link on a hiking website. This early draft has been posted without my permission, and actually violates my publishing agreement with Amazon, and can get me in a lot of trouble. If you’re the one who posted this link, please take it down. And if you’d like to read the final, full-length version of the story in its entirety, you can find it here-

Duckabush Fire

And thanks for reading!

Hermitism, youth, and the goddess of decomposition.

It is springtime, I have springtime insomnia. I become furiously excited and then, it rains, and I wilt, and my excitement turns to cold fear, and I lay in bed and pick apart my brain, wondering what I am doing wrong and how I can fix it.

This afternoon, while standing over the sink in my trailer, drinking water from an old blue mason jar and watching the rain, I came to a realization-

There is always the same amount of suffering. If I lived in the forest, in a tree- if there was no electricity or plastic and I got to walk barefoot, all the time, in the forest- life would not be awful in the ways it is awful now, but it would be awful in its own, special way. Maybe this sounds obvious to you but I often tell myself that life is hard just because I am in the city, and blah blah blah, if there were enough people living on enough land I would live there and life would be so much better- but then today, drinking water from my jar, I admitted to myself that this is not true.

One year ago I heard the saying “One happy thing is every happy thing” and it struck me like a bell, and made me feel less fidgety. And then this afternoon I realized that one awful thing, too, is every awful thing- that there is no hierarchy of awful, there is no escaping awful.

The past three days I’ve been a little sick, and also depressed, I think, and I missed class and I walked my dog to the library, through the beautiful neighborhood with the huge trees leafing out and snowing blossoms everywhere, and I checked out Craig Thompson’s Habibi, and then, back at my trailer, that is what I did, read Habibi, for three days. Habibi is overwhelmingly beautiful, and if you haven’t read it, you should. It is expensive but if you remind yourself that the library exists, then you remember that life can be easy, too. Also, in my trailer, with the rain coming down, I read James Baldwin, and I started the Grapes of Wrath again. Then today I did writing exercises with my friend Sweethome, in her kitchen, and for our second prompt we each made a list and then exchanged lists, and wrote from that. In the list we had a dead person and I had put James Baldwin in mine, and Sweethome didn’t know who James Baldwin was, so in her piece she had James Baldwin dying on a rocky plateau in Russia, mourned by a boy with wheat-colored hair. I thought it was appropriate. Sweethome is a magical, shiny yoga teacher who makes me feel calm and who appears, as yoga teachers do, as though she will live forever.

I keep thinking of moving to the desert but then I think of the loneliness, of leaving all my friends behind. I think of a wind-swept expanse of cracked earth and just myself, alone, slowly going mad from the solitude. I tend towards hermitism as it is, here in this teeming city of extremely likeable people. There are so many friends I already do not see often enough, and I live less than two miles from most of them. I beat people back with sticks until they forget about me, and then I can approach them on my own terms, like a feral cat. I become overwhelmed, for some unfathomable reason, when people actually want to make plans with me. I don’t know what I am afraid of, but just thinking about it makes me want to lock the door of my trailer, turn up the space heater, climb in bed with a stack of books and my dog, and not leave for many days. I am, as you can imagine, the absolute worst person to get into a relationship with. And of course I tend to date people who want to hang out constantly. And I am always disappointing them, and they are forced to psycho-analyze my behavior in some attempt to find the “pattern” so that they can figure out my “intimacy issues”, as if existence were a tapestry woven neatly of tidy little threads. And the people that I date, the ones who want to hang out all the time, and be married, and have babies, forever, also tend to date people like me, who mostly just want to be by themselves. I don’t know why this is except that it’s the way that everything is.

Speaking of friends, my friend Madeline is moving away this summer and it makes me very sad. Madeline is my oldest Portland friend and also one of my closest friends. For nearly a decade our lives have been parallel, coming apart and then together again, like a braid. When I lived in a yurt on the Olympic peninsula she was my only friend out there, aside from the stars and the elk, who would huff, just beyond the yellow circle of my porchlight. That was a hard year for Madeline, and she spent much of the winter weeping in the pile of blankets that was her bed, on the upper floor of a hundred year-old farmhouse on a dark country road in the middle of the forest. I would visit her, and pet her cat, and sit in front of the woodstove. Her housemates would have made chicken soup and biscuits and the kitchen would be filled with steam. On sunny days Madeline would go to the barn, where a trapeze hung from the rafters and she would swing around and around on it, like a monkey.

Madeline and I met in 2003. I was twenty-one and we were both staying in a small peaked house that got so much traffic from overly-eager anarchists like ourselves that it felt more like a community center than a house, and the FBI would occasionally visit, which I thought was really, really cool. It was summer and Madeline wore short-shorts and a leopard-print top that she’d freeboxed. She was really tan and her hair was wild, like she’d been electrocuted. She carried the skin of a housecat with her everywhere, she’d found it in the road and she was slowly working it with her knife, to make it soft. That’s how we all were. There was nothing subtle about any of us. I, for my part, was just beginning to use freight trains and the fact that I could live without money to prove, once and for all, that I actually had an identity.

Of course young anarchists are the foot-soldiers of gentrification, and so it was no surprise when it turned out that our house was at the very center of the newest hip neighborhood of rapidly gentrifying Portland, like right at the exact intersection of the very center of the most desirable new neighborhood (where, of course, the black people have always lived). And so we were all evicted so that the landlord could sell our dilapidated, one-bedroom shotgun shack (that was never meant to house eleven people), and it could be painted a cheerful green, and it is now, somewhat inadequately, a storefront.

Madeline was also the inspiration for my story Madge and Pansy, which some nice person then made into an audio recording which you can listen to on your computer, part one and two.  She’s the inspiration for a lot of my writing, actually.

Madeline is moving to Bellingham, which is a place I know nothing about except it’s rainier than Portland, and much closer to Canada. And I have a cousin who lived there once, and he would smoke pot and drink coffee and go to the beach and have epiphanies. I want to say that I’ll visit Madeline in Bellingham, in the moldering old mansion where I imagine her living, but it’s hard, right now, to imagine going anywhere that is more rainy that this. I don’t, actually, want her to move to Bellingham. I want her to move to New Mexico with me. I want to take all my friends to New Mexico with me, in a caravan. We can gentrify a neighborhood somewhere in the desert, and start this process all over again. Or we’ll go out into the desert and build our own neighborhood, from old trailers. We’ll have chickens and goats and there will be babies and feral kittens and lots of life and death. And none of the trailers will have mold in them, because it will be the desert. In the desert, objects last forever. Here in the rainforest there is a vicious beast called Decomposition, and she stalks your houses, your buildings, your objects left out in the elements. She injects them with her seed, which is small droplets of water. Small droplets of water to feed the moss, the mycelium, the primary decomposers. Powerful forces to tumble your house of cards. Decomposition thinks that cities are just unruly leaf piles, she works her magic to turn them back into forest floor. We hammer away, prop things up, tie things together with twine. We are faster, more nimble, but still it feels almost impossible.

I am talking about the moss, of course, growing on the caulking that seals the outside edges of my trailer. This summer I will scrub my trailer, and paint it, but for now it is slowly being eaten.

One awful thing is every awful thing, and now, I think, I can sleep.

how to know what is important

Sometimes, not matter how tired I am, I cannot make myself go to bed. I will do any number of meaningless, unnecessary tasks to avoid it- stare at myself in the mirror, walk back and forth, straightening things in my obsessively tidy apartment, look at blogs on my phone that have not been updated in days. I have class in the morning, early, but I have already decided not to go- the week is spinning around me already, so full of objects like furniture in a hurricane, wizard of oz style. If I do not go to my chemistry lecture I may have time to write my paper for biology. If I do not go to biology lecture I will have time to walk my dog, run the errands I desperately need to run, and read my chemistry book. I am robbing peter to pay paul.

I know that this does not sound like such a terrible situation. School is something that thousands of people are doing all of the time, quietly and without complaint. I have been transient for years at a time, sleeping in guest rooms/camper vans/forgotten stands of trees next to the highway. I have lived for long periods on extremely small amounts of money. I have ridden a freight train through Montana in a snowstorm, with nothing but my terrible menstrual cramps for company. You would think that school would be easy for me, a relief. I’m smart enough, although it is extremely difficult for me to concentrate. I live close to my school. Student loans take off some of the pressure of surviving in the very difficult job market that is Portland.

But I want to tell you, that having no money and no place to live is much easier than going to school. Wanting nothing is so much easier than wanting something. Wanting nothing is like enlightenment, in a way, it is like freedom. And because of everything that has already happened, there is a part of me that believes in nothing more than anything. And when you believe in nothing, wanting something is like beating yourself in the head with a piece of wood every day. It’s stupid and it makes no sense.

There are other, compounding factors, that help to make me feel overwhelmed and, simultaneously, stupid/weak for feeling overwhelmed. Why do things feel hard? I ask myself. My life is not hard. I must be stupid/weak/lazy. I must be a waste of human space. A heaping cup up self hatred, flung like a pigeon into the tornado.

I am moving this month. I am moving and I have too many things, things that I never wanted to acquire, because responsibility, even for inanimate objects, fills me with panic, but I did acquire, because my apartment felt empty without them, and I did not want my apartment to feel empty, did not have the guts to live a monk’s existence, to face the blank walls every day until my money, inevitably, ran out, and I was forced to move. They are cheap things, things I got for free, but I have polished them, and they are heavy and beautiful. Now I am moving and they are like children, dragging at my ankles.

My relationship may or may not be ending, and, as my relationships go, that means that the other person is angry with me and most likely will not want to see me for a period of time, and, as my relationships go, I have isolated myself during the relationship, hanging out with mostly this one other person (which, of course, ultimately feels suffocating, hence the end to the relationship) and so when they no longer want to see me (for a period of time) I find myself alone, unmoored from the world around me like a dinghy torn loose from the shore (in a hurricane). This, combined with moving (I have too many objects), financial stress (student loans are not enough and I am terrible with money anyway), and school (I cannot focus/concentrate/I never learned how to be a student/I cannot accept the irreconcilable contradictions of learning institutions/I am taking too many credits this term/I become discouraged easily), makes a hurricane of emotional objects which tears up the small, ramshackle villages of my health (I cannot digest things/I cannot relax/I have no energy/I feel discouraged/I am constantly irritable). And all of this is compounded by the fact that I am deeply ashamed of having feelings/needing help/I tend to self isolate when I’m having a hard time. And of course, while I am being a little dinghy, drifting alone way out at sea, it is always good to remind myself that I have no safety net. I love that my friends have families, parents in the suburbs, strange, tenuous relationships with people with whom they do not agree on things. Ties that go way back, something that transcends their “chosen family”. I love that sometimes, in spite of everything, this is still the case. But I do not have this. I have a brother. I love him but we see each other maybe once every few years. He is in Afghanistan right now for six months, and neither of us is good at writing letters. It’s been fifteen years this month since I last saw my violent, abusive, schizophrenic mother. And I never knew my father.

In moments like these, I am at a loss about what to do. My instinct, of course, is to run- to drop everything- I’ve fought-or-flown my way through life so far. But quitting is not longer an option. When I was younger, sure. When I could sleep outside and eat nothing but dumpstered bread and my eardrums could handle the deafening roar of the freight train. But my cerebral cortex, at twenty-nine, is exhausted, and if I expect to live at all, at this point, it has to be done on different terms. There has to be consistency, and consistency requires responsibility, and responsibility is something I never learned how to have. There has to be commitment, which is a concept that fills me with an awful, black and bottomless fear, and which has always felt like a trap that I must chew my own arm off to avoid. Because to commit to something, you have to trust it- you have to trust that it will not hurt you. Or that it will do its best not to hurt you. Or that it does not explicitly want to hurt you. And every cell in my body is built on the idea that success in life means never, ever letting myself be hurt again. And of course, if you are not willing to be hurt, ever, then there is absolutely no-one, anywhere, that you can trust.

I do not know what any of this means. I do not know what the answer to any of this is. I have my dog, thank god, who flings her little paws backward in the air when I get home and who licks my face with her small bologna tongue. At night she spoons me, pressing her tiny self against my back, making a little pocket of heat. I sleep badly but in the morning I sit in my reading chair and watch the sky lighten, a mug of green tea on my lap. My dog is still in bed, and the tick of the electric heater fills the room. I have a memoir I have been reading and it has been comforting me. I pick up the memoir and I remember how writing comforts me, how writing is the only thing, sometimes, that comforts me. I remember how writing can be the only thing that matters, how something intangible, that you cannot hold or see or rely on, can be the only thing that matters. I wonder if I am living my life or if I am being one of those people who pass years but do not live their lives. I think about the regrets of the dying. I remember that my credit card bill is overdue. I think about the rhythm of sentences, and how in the memoir I’ve been reading the sentences are perfectly balanced, as though the author weighed each one out on a scale, and how that calms me, seeing that kind of care, like watching the ocean beat against the shore. I think about the rhythm of tangible objects. I remember how, many years ago, I was in a samba marching band in North Carolina, how we practiced every sunday next to the railroad tracks. The unsung brilliance of my friends, they way they wrote new beats at night, in their dreams. They way it felt to play drums with people that I cared about. Like dancing. At the time, I thought that those moments would last forever. I wonder how everyone is doing now. I remind myself that I am a bad person because I do not keep in touch. For making close connections with people and then abandoning them. I remind myself that if I write a book about it someday, I will feel better about the whole thing. About not keeping in touch. About not letting the people that I have grown close to, and then drifted away from, know how much they mean to me. How important their presence in my life has been. How much I need them.

The brief wondrous life of Sonny Riccobono

It was march, and Seamus and I had just started dating. The rain clouds, while still black-grey and flinging down torrents of water, were broken, now, in moments, by patches of glorious, syrupy yellow light- the steamy northwest sun, emerging naked from its long, introspective sauna.

Seamus and I decided to go to Olympia for the weekend, with our dogs. In Olympia, two hours north and much closer to the ocean, the grass was greener and more feral, the dandelions more yellow, the sunlight more syrupy. We found the people of Olympia blinking against this new spring light, moving snail-like through the still-cool hours, and shaking mildew from their clothing. Seamus and I, overjoyed at being out of the city and so close to the large, damp forest, set up our tent in Otis’ backyard and then went to a potluck, where there were chocolate truffles made from nettles and everyone’s dogs played nicely in the grass overlooking some water that was, somehow, part of the ocean, and in which groups of people rowed small, narrow boats in unison. After the potluck we loaded the dogs into the truck- Kinnikinnick, bloated from drinking her weight in dishwater, and Emy, the calmer and more reasonable of the two- and set out to find Seamus his afternoon cup of very strong coffee.

I do not know Olympia very well, but it was on some unremarkable corner, with a small, economically depressed-looking strip-mall and maybe a law firm that was inside of an old house, that we found the dog. The dog was running down the sidewalk, and it was Seamus who spotted him first. Seamus pulled the truck next to the curb.

Get that dog, he said to me.

The dog was trotting down the sidewalk in a general sort of non-direction, somewhat frantically, but losing steam. I jumped out of the truck and walked behind him, briskly but not too fast, as if I was just walking somewhere random, as if the dog and I were just fellow pedestrians, thrown together by chance, on our joint journey towards the crosswalk of a very busy intersection. The dog continued to trot and at the corner he turned left. I followed, continuing to look straight ahead, as if his affairs were no business of mine and it was just coincidence that I, in fact, happened to be going left as well. The dog walked for half a block, slowed, and stopped. This sidewalk square, he seemed to be saying, was as good as any. I stopped next to him and picked him up. He weighed practically nothing. He was the smallest dog I had ever seen.

Back in the truck, Seamus and I had no idea what to do. It was thrilling to find a stray dog (that was in imminent danger!) but what to do next? Call the humane society? Animal control? Drive around and look for the owner? (This we did, half-heartedly, for about five minutes.) Should we put up fliers? One thing was for certain- the dog had no tags, and he looked hungry.

Let’s get him some food, I said. And a leash. I laid the dog on the front seat of the truck, between me and Seamus. A sunbeam fell on him from the open window, and his massive, marble-like brown eyes glinted wetly. He began to lick my forearm with his small, pink tongue.

HE’S SO CUTE! Said Seamus. Kinnikinnick clung, gecko-like, to the top of the front seat, and eyed the new dog suspiciously. Emy slept in the back, unalarmed. I touched the dog’s fur, looked at his small white teeth. The truth was, he wasn’t cute. Kinnikinnick was cute- small and brown and alert. Emy was cute- with her half-moon ears and good-smelling fur. This dog, however, was something else entirely- if there was a word to describe this dog, it did not exist in English.

Seamus and I had no idea what kind of dog it was.

Maybe it’s a long-haired chihuahua? The dog’s face looked kind of like Kinnikinnick’s- only more bulbous, and they were both small. But that’s where the similarities ended.

While Kinnikinnick was brown and sleek, like a little fox, there was no animal I could compare this dog to. This dog was white with patches of different colors, like a calico cat, and huge tufts of fur stuck out from his ears. His tail was long, plumed, and magnificent, and it curled, rooster-like, up over his back. I had never seen such a fancy dog. This dog was ridiculously overdone, like a like wedding cake or a catholic cathedral. Ridiculously overdone and then shrunk down really, really small. This dog was not just “cute”, this dog was a fucking Japanese animation. I ran my hands over the dog’s small body. His hair was long in some places, short in others, and on his underside it was matted with urine and what was probably poop. And beneath his fancy plumage you could feel his tiny, emaciated body, like the body of a bird. And he still had his balls- like huge brown chestnuts, lined up parallel between his back legs, as if there was no other way that they would fit on his body.
We bought a leash and a small can of dog food, and took the dog to Mae’s house.

We found this dog, we said to Mae.

No way, said Mae.

We put the dog on the floor with the food, and the dog began to eat. Not eat but snorfle, as if his face was a vacuum. Mae stood watching us, stirring almond milk into a bowl of oatmeal. Good light came through the windows and fell upon the tangles of tree branches that had been tacked in the corners. We offered the dog a small glass dish of water, and he consumed that as well.

Why is this dog so hungry? I asked.

Why is this dog so thirsty?

This dog is obviously neglected.

Feel his ribs, we said to Mae. She dutifully poked his matted fur, felt his tiny, prominent hip bones.

See his urine-covered belly, we said to Mae. She dutifully observed his stinky, tangled underside.

I Think We Should Keep This Dog, I said.

No way, said Mae. She was still eating her bowl of oatmeal.

Seamus’ eyes were glazed over in excitement.

Let’s keep the dog, said Seamus.

I took a picture of Seamus holding the dog, on the grass in front of Mae’s house.

Naomi, our friend in Portland, is a hairdresser and a fancy lady, and had been (somewhat quietly) wanting a little dog for some time, although her housemates were, at least at the moment, against it. Seamus and I had just found the best looking, most fantastical little dog ever.

I felt that this was Naomi’s dog.

I felt that Naomi’s dog had fallen from the sky. Naomi’s dog had escaped from a neglectful situation and run free, on the streets of Olympia, so that we could find it, and bring it to Naomi.

I sent Naomi the picture of Seamus with the dog.

Do you want this dog? It said.

Do you want this dog?

Seamus and I took the dog back to Otis’ house, and put him in the tent in the backyard. We hadn’t found any coffee so we climbed in as well, onto the airbed, and curled beneath the blankets for a nap. Good Olympia air moved through the mesh walls of the tent, bringing with it the smell of cedar trees, and far off was the sound of windchimes. It was cold out, still spring, but the three of us made a pocket of warmth, and I felt immensely contented.

When we woke, we couldn’t find the dog. He wasn’t between any of the blankets, or at the foot of the bed. Finally we found him, wedged beneath the airbed and the wall of the tent, in a little nest of blanket-corners. I lifted him up by his little bird-body and he blinked at me, his brown eyes watering endearingly. So easy, I thought, to lose such a little dog. He’s so tiny, you can lose him in a tent! Such a little scrap of fur, such a tiny spark of life!

What fire, I thought, as I looked into his too-big eyeballs, burns inside your tiny ribcage? What magical machinations make your existence possible? How small, your little organs?!

Back in Portland, I introduced the dog to my apartment. He immediately urinated everywhere, confirming my suspicions that he was not housetrained and had, in fact, been kept (so cruel!) in someone’s backyard. Kinnikinnick, while initially friendly, became much more guarded when she learned that all the new dog wanted to do was hump. His balls, still fastened so firmly to his undercarriage, were likely larger than his brain, and once hydrated and fed, it became apparent that he was driven by them to the exclusion of almost everything else. And Kinnikinnick, this fancy, rooster-like dog was certain, was destined to be his wife. But she, having been fixed, was firmly against this idea, and so they engaged in the elaborate small-dog acrobatics of the wrestle/hump deflection/snarly face/gremlin noises, much to the delight and entertainment of anyone who stopped by.

Naomi did some research.

“He’s a papillon,” she said.

I read the wikipedia page about papillons.

“They’re from the 13th century!” I said. “In France! Mary Antoinette had one! She clutched it as she walked to the guillotine!!

Naomi took the dog to the vet, and had him weighed. Four pounds exactly. He wasn’t just a papillon, he was a teacup papillon. He was, said the vet, a year and a half old. The vet cut off his balls. Naomi took the dog to the groomer’s, and they trimmed his matted fur. She fed the dog as much as he could eat, and he began to fill out, an ounce at a time. She named him Sonny.

As Sonny settled into Naomi’s house, with its collection of humans, its comings and goings, and its one other dog, his personality began to unfold. And, at least for the time being, he was a bit of a monster. Unhousetrained, he would poop in corners, the basement, the hallway. He would not come when called, would not respond to any sounds at all- so much so that for a time, Naomi worried that he was deaf. On a typical afternoon you would enter the living room to find him crouched, lion-like, above his rawhide bone, eyes blazing defiantly, a tiny, chain-saw like growl percolating from his insides. He would snarl and snap at the feet of strangers, and hop away like a ping-pong ball when you bent down to pick him up. He didn’t like to be held, and would wriggle like a fish in your hands when you finally caught him. He was like an optical illusion- so tiny, fluffy and kitten-like, so seemingly loveable- but on the inside, he was a maniacal sociopath- seemingly incapable of bonding with anyone.

But Naomi had patience.

Naomi didn’t have a car. Luckily, Sonny was portable. Naomi got a cute bag for him and stuffed him down into it, and carried him everywhere on her bicycle. Since he looked more like a toy than a real animal, she was able to sneak him into coffee shops, restaurants and shows. At night, in an attempt to make him cuddle, she stuffed him under the covers, but he popped out like a helium balloon and bounced to the foot of the bed where he curled up, just out of reach.

Still, Naomi had patience.

Boundaries were put into place for Sonny- no growling, no snapping, no attacking other dogs and humans. When he was being aggressive he could be flipped, using one hand, onto his tiny back, and held in place until he relaxed. He could also be picked up, at the scruff of his neck, much like the kitten that he was, and spoken to in a very authoritative voice- at which point the fight would lift off of him like mist, and his wet brown eyes would grow wet, and he might even- if you were lucky- lick your nose.


As the months went by, Sonny began, imperceptibly at first, to soften. He followed Naomi around like a wee shadow, and when she came home from work he would lift his front legs off the ground and clap his paws together like a tiny, animated toy. He would sometimes, now, allow others to pick him up, and he would even, on occasion, display something that was similar to affection. To reach this soft place in Sonny, however, to get him to do something like recline, casual-like, on your lap, as if that was no big deal, it was often necessary to wear him out physically first- and this was a challenge, as the fire that burned within him, in spite of his small size, was monstrously large.

In July I went backpacking with Kinnikinnick, Sonny, and Naomi’s partner, Finn. We picked a trail with lots of lakes, and there were such insane mosquitoes that we were forced to run, every second that we were out of the tent, to avoid being suffocated. (Exaggeration.) We didn’t want to run with our big backpacks on, so instead of carrying the packs for three days we hiked in four miles, pitched our tent, and the next day set out to jog the remainder of the trail. As long as we were running, the mosquitoes couldn’t get us, and as long as we wanted to be out of the tent, we had to be running. The night before, Sonny had been so hyper in the tent that Finn had barely been able to sleep- Sonny had thought that he was Outside, and that had made him feel Excited, and he had decided that he didn’t need to sleep, that he needed only to bounce like a flea back and forth across our sleeping bags, pawing excitedly at the nylon of the tent.

The next day we set out bright and early on our Epic Trail Run, hyper, sleepless dogs in tow. And it turned out that the trail, which passed by so many small lakes, was flooded in places, and in other places it was covered in patches of snow or blocked by fallen trees. The dogs, though, were not perturbed, and they vaulted over the puddles and slid over the snow patches like fearless, inexhaustible insects. The only humans we saw that day, on our long overland journey, were a pair of mysterious forest rangers, who would appear on the trail and then disappear, back into the foliage, as if by magic. We jogged sort of stumblingly through the forest from mid-morning to bedtime, our improvised backpacks bouncing against our shoulders, food and a water filter inside. We stopped at lakes to swim and eat chocolate and salmon jerky, and then we ran some more. Kinnikinnick and Sonny followed tirelessly along behind us, now and again darting ahead, ears up, to see what might be coming. Kinnikinnick, being the larger of the two, was able to leap, fox-like, over the fallen logs, but Sonny was too short and needed to be lifted, and he would wait, patiently, his eyes squinted softly in the forest light, for Finn to act as his hydraulic lift.

friendz

We returned to our campsite late in the evening, lowered our sore bodies into the flooded, broth-colored stream, and then put on every item of clothing we had brought so that we could crouch, for a few moments, in the thick, mosquito-filled air, and stir the gluten-free noodles in our camping pot. The mosquitoes enveloped Kinnikinnick and she bit at them, twitching and shaking her small body, but Sonny’s coat was long enough that he was impenetrable, and he watched us quietly in a rectangle of evening light, his small paws crossed contentedly. As we ate our salty noodles on the grass, the mosquitoes frantically biting at the backs of our hands, we saw that Sonny was, at last, tired. And that night he slept like the sweet, lovely little being that we had always imagined him to be- cuddled up in Finn’s sleeping bag or on top of mine, his little rooster-tail curled blanket-like around his torso, eyelids stretched peacefully over his huge, bulbous eyes. The next day we hiked the four miles out, and Sonny was so contented that he was sweet and agreeable for the rest of the trip, sleeping or letting himself be pet, squinting up at one or the other of us with his big, wet-brown eyes as if he was the most gentle dog in the world. And, when we returned to Portland, we were only admonished slightly for letting him run until his paws bled.

Sonny and Kinnikinnick, sleeping peacefully on the drive home.

As the summer waned, wee Sonny became consistently more agreeable and relaxed, and he began to bond with people more quickly, and allow himself to be captured and petted more easily. He was, as Naomi said, finally learning how to open his heart to love. He clapped his hands now for me, when he saw me, and when I lifted him up he licked my nose with his small, baloney-scented tongue. I would hold him in my two hands and bury my face in his thick, good-smelling fur, and in his small ribcage I could feel his tiny, beating heart. At first, he had been reluctant, and in time, he had grown softer. And like all wary little dogs (my own included) who are finicky and particular with their affections, when the narrow beam of Sonny’s love fell, at last, on my own heart, I was almost blinded by the caliber of its pure, uncontaminated goodness.

Two weeks ago, Sonny was attacked in a friend’s house by a larger, more aggressive dog. The attack was supposedly over a treat that had been dropped beneath the kitchen table, and in seconds it was over. Sonny died moments later, in the car on the way to the hospital. He had been in our lives for eight months.

Sonny’s death was a total shock not only to the people who had witnessed it, but to everyone who had been in Sonny’s life. Sonny, so seemingly alive, so full of fire and energy, was now, somehow, gone, blinked away, disappeared. It made no sense at all- like if you said an entire block had disappeared, or like the pacific ocean was now gone. Sonny was real. Sonny existed. Like how flowers exist, or trees exist, or rivers exist. There was the sky, the maple trees, the park, and there was Sonny. Just like how there was Kinnikinnick, and Seamus, and our friends, and school, and Emy, and our lives, our routines, our small dramas, our hopes and dreams and fears. In all of that, was Sonny. Firmly real. In the flesh. We had assimilated him into the fabric of our lives, and the tentacles of his existence were wound into the minutes and hours of our days- he was a three-dimensional object that we had manifested, running free on the streets of Olympia, and then subsumed, until there was no boundary between us and him, between our realities and his.

As yet, as quickly and bizarrely as Sonny had appeared, he was gone. I had never seen a dog like him, and there would never be one again. He had been created, the mold had been broken, and then, less than three years later, he had died. It made me question, suddenly, my assumptions about the existence of all living things- all of these animals, humans, objects that I assume to exist, that I trust to continue to exist, that I wake up each morning assuming will still exist. All of the things that I take for granted to be real, all of the trees and blades of grass, the walls of my apartment, my strange, grumpy neighbors, my small brown dog, the ground beneath my feel. All these things that feel so solidly REAL, so rooted on this side of the divide between existence and non-existence- when it seems obvious, now, that anything, at any time, could slip through to the other side, without a moment’s notice. Like a crack can open up in this current moment, this experience of reality that I assume, foolishly, to be somehow solid, and whatever is closest to the crack will just be gone.

How do you live, then, when everything you love can suddenly be gone? How do you make choices when what seems so real, today, on Sunday, can shift like loose gravel and be so different, after a period of time, as to be totally unrecognizable? How do you hold on, or not hold on, to what you love- how do you hold on and let go simultaneously, how do you stay present, constantly, in the moment, while making the assumption, still, that the sun will rise tomorrow?

Sonny did not exist, and then he did. He was not in our lives, and then he was. We did not know him, and then we loved him, we shoved some random clutter off the folding card-table of our hearts to make room for him. And there is always room, an extra corner, a few square inches of love. There is always room for everyone, there is always enough space. And then, after Sonny is gone, there is a small, Sonny-shaped hole. And the wind blows through it, and it has the feel of an old, abandoned house. And it’s lonely.

Sonny is gone, and if I learned anything at all from Sonny, it’s that we exist right now. Tomorrow, then, is anyone’s guess, but for the moment we are solidly, firmly here, so real that it’s nearly incomprehensible, so big and complex and infinite and alive that I can barely fit the idea of us into the field of vision of my heart. Because when we are real, we are almost bafflingly so- the realness of us spills out, all over everything, as if there is too much of it, an infinite amount, like there will always be enough, like we could never possibly run out. Our realness, not guaranteed to spill forward in time, spreads around us, instead, into space- shooting like energy light-rays into the worlds that we inhabit, vibrating every other physical thing in our existence on a scale of which it is impossible to comprehend.

My brain is small, and I cannot begin to understand the complexity of our realness, the size of our existence. I settle, instead, for a stumbling sort of impression, like fumbling in a dark attic, feeling objects with the palms of my hands. I tell myself that I am learning, through careful observation, the shape and texture of our universe, when in reality, by looking, I only grow more and more disoriented. I can only assume that this puzzle, like so many mysteries, is a thing that cannot be looked at or thought about directly but only felt, sort of obtusely, with the larger, blunter muscles of the heart. Not a shape but a rhythm, a feeling- not the object itself but its tangled, colored fringe.

Sonny is gone, and I’m starting to wonder if he ever existed at all. Did I make him up? What is more real, my feeling for him or his actual self? And what now? Do we let the clutter build up, until the card table is covered over again?

And what of the gaping, Sonny-shaped hole in the paper wall of reality, where the lonely breeze blows through?

Sonny was buried in forest park, in the soft, black earth beneath some big-leaf maples. It’s November and the air is cold, and rain falls nearly every day. A few weeks before Sonny’s death, Naomi had bought him a tiny, expensive jacket- shiny, black, and stuffed with down, it kept him warm as damp winter settled down upon the city. Naomi kept the jacket after his death and I know that now, in his new forest home, Sonny no longer needs it. Because the forest, crowded, tangled organism that it is, is arguably more real than nearly any city block. There is more life, more living, more movement, happening both above and below ground, in the forest, than I can possibly understand- and in this way the forest is like Sonny himself. And if it’s true that consciousness is a sort of trap, and death is freedom, then Sonny is home, his energies gone twenty-five different ways, to join the riotous cacophony of the rainforest- and he is neither cold nor alone, but sort of infinite- for as long as it lasts, and after that, will be something else-

And we love him, and we miss him, and that’s ok/is not ok, and that irreconcilable contradiction, whatever comfort that it is, will have to be enough.

dream

dystopia, dark skies, lightning and chemical clouds, always dark, I’m staying with SG in a sprawling metropolis- I go to visit Mykhiel, who lives in the bottom half of a tiny, peaked house with dark, papered-over windows- the bottom half and basement, on the inside, are a chaotic, teeming labyrinth of strange, industrial apartments winding concrete staircases and cold, damp show spaces. People are everywhere. I wander the house looking for Mykhiel, becoming lost in the art and production studios of nerdy boys with wild, tangled hair. I finally find Mykhiel. They live in a series of concrete rooms lit with Christmas lights and mostly bare. Mykhiel’s kids Z and M are there, as well as three dogs, two cats, and a giant lizard I do not recognize. Mykhiel is a visual artist, works all night at a light table in a dark, empty room. Ten year-old Z makes me cupcakes. They are the ugliest cupcakes I have ever seen, but they taste amazing. Z and I eat cupcakes and have philosophical conversations. The night gets late. SG is texting me, she doesn’t know where I am, but I can’t find my phone. I can’t get out of the building, I’m lost. I end up on the rooftop with Mykhiel, looking at the clouded chemical sky. We try to have sex, but we can’t decide who’s the top and who’s the bottom, and we can’t stop laughing, so we give up. SG shows up and we all sleep together in one tiny, rumpled bed.

thanksgiving

It’s late and I can’t sleep. I got up this morning, made the stuffing for the turkey (“Eddy”, he was ultimately named), and then went back to bed, because I was grumpy and hadn’t slept well, and was being a general pain in the ass. So I had a nap in the middle of the day, and now I can’t sleep. Seamus is asleep, I can hear him snoring, my little dog is asleep on the couch next to me, beneath a blue hoodie, Emy is asleep on her dog bed- everyone is asleep but me. I ate too much pumpkin pie today, laughed too hard, shouted too much, had the most fun thanksgiving in memory. Felt so appreciative for my chosen family. Felt such a strong sense of community, the real feeling, so rare, visible only in flashes, and when you least expect it- like a white-hot light beam straight to the heart. The turkey turned out amazing, thanks to a whole team of dedicated basters, some cheesecloth, a shit-ton of butter and the steadfast guidance of the Joy of cooking. I think the stuffing was good, but I had so much food on my plate, I ate so fast, and there was so much noise, that I feel like I hardly tasted anything at all. I’d gone for a run beforehand in the rain with EmyLoo and I was starving, but then I’d eaten some candied pecans and ended up feeling like I wasn’t quite hungry enough. I remember thanksgiving dinners at my Grandparent’s house when I was a teenager, being so hungry by the time we ate that each bite of food tasted like the fucking miracle that it was, chemical reactions exploding in my mouth, winter and spring and fall and sunshine and a nostalgia for everything that could have ever happened, like tasting the whole history of the world. I never helped cook, though, and when you cook a thing and smell it all day you can hardly taste it by the time it gets eaten. I learned that working at the hippie hotsprings last summer, cooking for hours and not being able to taste anything when I put it in my mouth, having to trust that it would taste good, finally tasting it eating it cold with a spoon out of the leftovers fridge the next day, like a fucking miracle.

 

I am thankful. I am thankful for my health and my friends’ health and for my date and for our dogs. I am thankful that the heavens split open and rain down goodness and unbelievable decadence upon us again and again, like the universe is a slot machine and I keep winning and I’m shaking the machine and saying why do I keep winning? But the money just keeps pouring out, gold coins piling around my feet. Of course it’s not just winning it’s being able to know when you’ve won, and being able to say “yes, this is good enough” and then, later, realize “yes, this is as good as it gets” and then “one happy thing is every happy thing”. And there’s also giving up hope, realizing that hope is a form of capitalism, a belief in infinite growth and if there’s not that constant moving toward some other thing then you’re dead. Giving up hope you stop looking around you and you look down at your feet and you realize that you can’t even see them because they’re buried under about a foot of gold coins. And you feel so rich you don’t even want to move, barely want to breathe, because you’re afraid it’s all so fragile like a screen made of grass blades pinned together with chestnut thorns and that it’ll crumble if you look at it directly, like your gratitude is a strong wind that’ll blow it over, like how the sun can fade a photograph.

 

Over-eating pumpkin pie is one way of indirectly showing one’s gratitude towards the universe. There were three kinds of gluten-free pumpkin pie at dinner, and I ate as much as I possibly could, spacing it out all night until, in retrospect, the evening blurs together into one long taste of dull pumpkin, maple sugar and baking-soda crust, like an IV drip of pie. The best thanksgiving food, tho, will be the leftovers I make for breakfast, and the turkey sandwiches I make into infinity, thanks to Eddy the expensive (but priceless) co-op turkey.

 

I love feasting with my friends. I am thankful for so many things- but mostly I just want to catch this moment in my heart, this moment of being alive- because I am undoubtedly alive- and sometimes, still, that blows me over, even though I have been on this earth for nearly thirty years already. How is it that we are alive? Still I cannot believe it. In the great straws-draw of existence, I wonder if every single-celled or multi-cellular-complex organism doesn’t once in its life stop to wonder how they got so lucky as to be embodied in such a way, here and now, when there was so much that they missed, and so much that they will never see, how they ever got to be alive at all. And sometimes, when I stop fidgeting and stand still, I feel that time stops with me, and if I hold still enough, I feel that I can almost keep from startling it into motion again. And this always works except for when it doesn’t, and time passes but it doesn’t pass, and in the end, I always have it, even when I think I don’t.