The strange poetry of search engines

cosmos

WordPress stats allow me to view the search terms that people use to find my blog. Here are the best ones of the last four months, in no particular order-

rat poison

young annie dillard

kill all rapists

pink meth

ramen

the virgin mary

butch privilege

kill all the rapists it’s fun

lesbian truck drivers porn

I want to kill rapists

spiders that jump

chocolates raining

where to buy acorn flour

kill your rapist

whole body feels like static

im not afraid

I’m not afraid of winter

garage spider

crying virgin mary

rapist vigilante

darkness is terrible lightness is happiness

kill rapists

is it ok to kill rapist

glowing mother mary

sockless english girls in winter

enchanted valley hike

perfect tits

I am not afraid of rain and cold

homemade cellphone I masturbate outside

sometimes I like to lay on the floor and pretend I am a carrot

dark creepy sky

solitude in rain falls

radiolarian

kill your rapist shirt

playing scrabble by lamplight

will sodium nitrate kill scabies

Yuma battle of bands, the grapes of wrath

virgin mary hair

kill your rapist

mattress decomposing

I want to slaughter rapists

good cowboys are packed like a can of biscuits

clouds on ground people in air

vigilante kills rapist

I’m barefoot

how to kill rapists

fuck western medicine

the eyes of virgin mary

decorate wall with paper and cornstarch

rapist must be killed

whittled wood pipes

who’s afraid of winter with this suit?

what to be scared of on the pacific crest trail

deserts to find crystal rocks

clementines solstice

scary clouds drawn

petition kill rapists

rapist shot and killed

is it ok to kill rapists

is it morally acceptable to shoot a rapist

I want to kill my rapist

why I have a lightness feeling in breathing in winter

garden spider, lightning bug

sad country songs about not getting a job

butch lesbians fucking and going wild

melting icicles quotes

I’ve been feeling painfully nostalgic lately

is it healthy to fuck yourself with a carrot

tater tots and ramen

winco brownie mix spruced up

kitten named after Greta Garbo

carrot ramen quinn

fat rockabilly butch lesbians

what does estrogen feel like

would you kill your rapist

how to make flour from birch bark

fuck Kerouac

butch lesbians have male privilege

vomit cartons

sleeping alone in the woods

killed his rapist

bust you out of the city

vagina tater

baking soda made my eyeglass lenses worse

binge dried cranberries

do guys ever kill rapists

This list tells me several things- that my dream about pink meth was kind of psychic because it really exists, that “ramen” is, of course, the perfect middle name for me, and that google likes me, because I am strange.

Also, to all the googlers with the question- the answer is yes. Just don’t get caught.

virgin mary

The Virgin Mary wants you to kill your rapist

what is left behind

..

I go long stretches without writing. I remember how small I am, how much there already is. I go to Powell’s and see all the lonely books, seemingly without value, crowding the high wooden shelves. The bookstore almost begs you. Please, read our books. And even then, the creative industrial complex is astoundingly inefficient- so much brilliance is lost every moment, without document. Brilliance like radio waves in the air, moving through everything, dissipating. Like schools of fish. The ocean bottomless. Fishermen pulling up great nets of fish. Toiling to bring them to shore. And then leaving them to rot in the market because they cannot, even, be sold.

In the end it is not the book that has value. Day in and day out, it is not the book that is sold. What is a book? A bunch of paper that begins to decompose immediately. A dead thing. The book is not what is sold. What is sold is the answer to a question that has no answer. An antidote for a hunger that was never meant to be satiated. Life.

What has value and what does not have value. Why do we buy stuff.

I go to estate sales sometimes. Do you go to estate sales? This is what an estate sale is:

When you are small your mother dresses you for church in a cream-colored dress that she has made. Your mother is young, her face is like a lamp, and she wears rhinestone barrettes in her hair that have already begun to tarnish. Your father, who does not speak, smokes vanilla-scented tobacco in a pipe whose wood is dulled from the oil of his hands. Your grandmother likes to fuss over her collection of yellow crystal candy dishes and one day, when you are living alone, you will inherit them.

Your first husband has a closet of identical button-shirts from Sears. These shirts wear at the elbows and grow thin and soft until he is injured at his job, after which he spends his time in a white undershirt, carving small ducks from pieces of driftwood that he pulls from the river. You leave him because he will not stop drinking, and because his disappointment gets all over you, like ink.

You meet a man who is a painter, who paints boats. He has a small wooden shed full of paintings of boats. He has no silverware in his kitchen, and his canopener is dulled to the point of uselessness. You move into the painter’s house and order an expensive set of pots because, you say, you can pass them on to your grandchildren.

At some point you become infatuated with clowns. At some point you discover you are unable to become pregnant. At some point you conceive and have a son. The son grows up and disappears, as though the stage beyond adolescence was rays of light or static electricity. You had documented his existence in dozens of photo albums and the albums seem to laugh at you now, and so you leave them in their cardboard box, way up in the attic. The painter has a stroke followed by a long illness until his death, one week before the death of your mother. The last boat he painted, an aluminum skiff on the stormy pacific ocean, was never finished, and you have wedged it in the garage with the others.

It is hard, now, to find ways to feel important. Your final mission in life, the acquisition of clowns, grows to consume all of your time. A stray cat has kittens beneath the back deck and you abduct two of them, locking them in the house. You try to make them tame but they hide in the back of the linen closet and sometimes, at night, they crouch on either side of you in the bed, and make noises like the wind whistling before a hurricane. You cannot touch them, and their greasy fur lies on their bodies in an unnatural way. Still, you love them more than you can bear.

After your death, your son reappears. He’s been living in an ashram in India, and his only possessions are a wooden bowl and a journal, almost finished, which he forgets on the plane. He opens the thick curtains in your house, and drags the boxes, like corpses, from the attic. He can feel you everywhere but he cannot speak to you, and although he has sworn off regret like some might swear off alcohol, he stands before the rows of dusty clowns, huddled on the shelves that the boat-painter built for you, and he feels it pulling at his pantlegs like a needy child.

He slowly works his way through your house, inventorying the usefulness of things. When he finds the box of small wooden ducks, whittled by your previous husband, he is overcome. He meets an old friend, now working as a school teacher, for drinks, and the friend explains the usefulness of having an estate sale. During the sale your son sits on the lawn in a folding chair and watches, bewildered, as strangers clutch at his mother’s things. One woman, opening all the cabinets looking for old letters and stashes of half-dollar coins, finds the cats. They lunge at her face in terror, hissing like hellmouths. Your son wears oven mitts and puts them in a cardboard box, onto which he piles books. After the sale he takes them to the local animal shelter where, unadoptable, they are put to sleep.

The house is put onto the market, and your son becomes impatient. The small town holds so much meaning for him, and the memories drag at his ankles like bricks. He is eager to cover over these old memories with newer, more ideal memories, although, after a number of decades, he will realize that this was never really possible. He will attempt, and fail, to sail across the atlantic, and he will fall in love with a number of women that he will refuse to marry. He will tend an apple orchard in France and lose his first finger to a chainsaw, but the old memories will never really fade. In fact it is the opposite, and the old memories will always be the strongest, until one day they are the only memories left at all, like a stone chimney when the rest of the house has burned away.

What has value?

torrential rainfall and the disputed kingdom Protista

radiolaria

It’s been raining torrentially all day- this morning we took the dogs to kelly point park, the superfund site where the metallic Columbia meets the sewage-filled Willamette, and big cold drops began to pelt us as soon as we stepped from the car. We walked along the path through the woods, throwing Emy’s ball before us. The poplar trees, huge overhead, swayed ominously in the wind from the oncoming storm, and we watched in wonder as limbs broke off, now and then, and fell in slow motion to the ground. Let’s go to the beach? I said. A tree might fall on us? But the beach was too exposed, the wind beating us like a newspaper and the rain splatting us and the lights from the grain barges on the river. Back in the forest, we watched the trees. Woo woo, they said. The air was grey with condensation. Along the trail nettles grew hopefully, taking up nuclear waste from the soil.

Now I’m in my trailer with the space heater up too high, and it’s still raining torrentially. Earlier I tried to study, laying in bed with my big floppy biology book, watching the water run in rivulets down the little trailer-window, but I fell asleep instead. Before I fell asleep I’d been trying to focus on the disputed kingdom Protista, but instead I was thinking indulgently about summertime, and houses I used to live in, and meadows I have known.

I’ve been feeling a lot of nostalgia lately. Maybe because it is the wet end of the wintertime, maybe because I have been in the city too long with only crowded backyards and superfund sites to retreat to. And it’s funny, because when you finally let a thing go, sometimes years after you first realize that you should be done with it, you never think that it will come back all draped in the soft colors of nostalgia. But that is how I feel today, tonight, about all sorts of things- and I am thinking of them longingly, here in my little driveway-house full of warmth with the rain pounding on the aluminum roof.

Where do they go, these things that happen? Our experiences, our disembodied stories? Apparently there is a compost heap in my brain where they are recycled into magic treasures, more whole then they ever actually were.

I think of North Dakota often, it is one of my muses, if I am using muse in the correct sense, if a muse can be a thing other than a person. Also my friends are muses, people I have known, mostly old friends who cannot get their shit together, who are propelled helplessly through life by their own irreconcilable contradictions, who are moved about as if by mystery. Who do not use logic. Who are painfully beautiful. Who always seem more alive than other people but also more ungrounded. Which is maybe the same thing.

And North Dakota. North Dakota from a freight train- the train goes fast, because north Dakota is wide open. The train could be said to hurtle. On both sides of the train, the soft gold grass. Bent at the tops, like an ocean. The native prairie that grew back after people fled to the cities. Just the grass and the train and above you, the glass observatory of the sky. Now and then a broken down barn, melting into the grass. A stone fence, half-finished, built from stones fished from the ground. A shiny ribbon in the prairie is a stream, flat and clear, like you could float down it on your back. Wind, and sometimes clouds, charging from the east. Lightning.

I used to do whatever I wanted. Travel all the time, move back and forth. I ate dumpstered birthday cake and slept outside under forgotten clumps of trees and that was ok, because I was young and needed nothing. I thought that everything was too fucked up to invest in anything, but then investing in nothing made me feel like I was already dead, and that made me wish that I was, and that feeling was confusing because I had no reason to want to be dead. It was like I wanted to be free so bad but then when I was free I realized that there was nothing else. Like when I was little and I would try and play the video games my brother liked so much but all I cared about was finding the edge of the world, moving my little man into all the corners of the screen to try and find some place beyond what you could see. But there’s nothing else, there’s just the tunnel or whatever, and it’s all set up for you, you’re supposed to jump and get the coin and stomp the mushroom and it’s supposed to make you feel good.

When I was younger, I never thought about what would happen. I figured that the world would just end soon so there was no point in thinking about it. The world felt old, tense, used up, on the brink of something. Everything felt so extremely precarious, like if I touched it it would fall over. It didn’t make any sense to me to put my efforts into something that would just end anyway. I didn’t know then that things that fall over build themselves up again, over and over like magic. It took me a long time to see that.

I used to not need anything- not money, not a home, not any specific food. But there’s a lot of stress in that lifestyle, and loneliness, and eventually your adrenals get worn out and you wake up one day and your body hurts and you can’t do it anymore and you need things. Or you throw yourself off a bridge, because the world hasn’t ended yet and you can’t keep bluffing.

I’ve been in Portland for a year and a half straight. I used to leave for about half of every year. Also notable- I’ve had my dog for a year and a half, I’m starting my second year of undergrad next term, and March 18th is my one-year anniversary with Seamus. I turn thirty this year, and I’m so grateful that this shit is getting easier. And it feels sweet, this nostalgia for the way I lived for so long, tonight, sitting in my trailer with the rain coming down- memories, dreams, popping up like treasures from underwater. Sometimes I feel anxiety about it- like I’ll never be able to travel again, because I won’t have the money, and my body can’t handle the way I used to travel, for free. Waking up on the freight train, sided somewhere in Minnesota, watching the dawn bleed into the sky. Shoplifting grapefruit and sardines. Spending days in a bramble thicket, reading Steinbeck. Walking for miles in the dead of night, looking for water. So many moments of feeling so alive- stacking up on top of each other, making the universe hum like an electrical current. Like it was just me and the universe. The universe moving through me, like I wasn’t even there. Have you ever felt that way? Like you can actually forget yourself enough for the universe to go about its business right in front of you. Like in any Farley Mowat book, when he’s been in his canvas tent in the snow for long enough and the wolves decide he’s just a bunch of lichen, and they start playing with each other and acting out all their wolfy dramas in front of him. Like he’s found the secret place at the edge of everything, where there’s something else that no-one knew was there.

I haven’t been working on my book for a while. I took too many credits this term, and I moved, so I haven’t had time to write. And I hate being really busy. It gives me big fluffy piles of anxiety. Too much of my brain is devoted to thinking about stuff like colors and shapes and patterns of light and very little is devoted to time management and schedule planning. So I sort of freeze up if my life gets too complicated and then I can’t do anything. I need large blocks of time to stare out the window and think about sea creatures. I need to be able to accidentally fall asleep while studying. I need to be able to be ten minutes late for everything. I may not actually be ten minutes late for everything, but I need that to be ok.

I wish I had another three month stretch to work on my book. It’s my ladder to the moon- I need it to climb out of here. But you need a really strong ladder to climb out of one way of life and into another one, and it takes a long time to build a ladder that strong. Right now I’m doing undergrad to prepare to go to school for my master’s in Chinese medicine, because that’s my other dream, besides writing. But when I look down that road I see full-time school for the next five years and then after that, working full time to pay off my student loans, and then working forever until I die. And there’s no time for writing in that anywhere.

How do you do it? How do you be an adult. How do you want things hard enough to make them real. It’s like I woke up one day and all the rules had changed. Or I woke up one day and realized where I was- in this body, on this ground, with this rain coming down everywhere. There’s no place at the edge of everything, and yet there is. And I can want both worlds, but so far, I haven’t figured out how to have them both at once. And that’s painful, but pain can be good. A motivator. Soothing, even. I feel pain, therefore I exist. This sucks and I want something else, therefore I exist. This sucks this sucks this sucks, I exist I exist I exist.

The brief wondrous life of Sonny Riccobono

It was march, and Seamus and I had just started dating. The rain clouds, while still black-grey and flinging down torrents of water, were broken, now, in moments, by patches of glorious, syrupy yellow light- the steamy northwest sun, emerging naked from its long, introspective sauna.

Seamus and I decided to go to Olympia for the weekend, with our dogs. In Olympia, two hours north and much closer to the ocean, the grass was greener and more feral, the dandelions more yellow, the sunlight more syrupy. We found the people of Olympia blinking against this new spring light, moving snail-like through the still-cool hours, and shaking mildew from their clothing. Seamus and I, overjoyed at being out of the city and so close to the large, damp forest, set up our tent in Otis’ backyard and then went to a potluck, where there were chocolate truffles made from nettles and everyone’s dogs played nicely in the grass overlooking some water that was, somehow, part of the ocean, and in which groups of people rowed small, narrow boats in unison. After the potluck we loaded the dogs into the truck- Kinnikinnick, bloated from drinking her weight in dishwater, and Emy, the calmer and more reasonable of the two- and set out to find Seamus his afternoon cup of very strong coffee.

I do not know Olympia very well, but it was on some unremarkable corner, with a small, economically depressed-looking strip-mall and maybe a law firm that was inside of an old house, that we found the dog. The dog was running down the sidewalk, and it was Seamus who spotted him first. Seamus pulled the truck next to the curb.

Get that dog, he said to me.

The dog was trotting down the sidewalk in a general sort of non-direction, somewhat frantically, but losing steam. I jumped out of the truck and walked behind him, briskly but not too fast, as if I was just walking somewhere random, as if the dog and I were just fellow pedestrians, thrown together by chance, on our joint journey towards the crosswalk of a very busy intersection. The dog continued to trot and at the corner he turned left. I followed, continuing to look straight ahead, as if his affairs were no business of mine and it was just coincidence that I, in fact, happened to be going left as well. The dog walked for half a block, slowed, and stopped. This sidewalk square, he seemed to be saying, was as good as any. I stopped next to him and picked him up. He weighed practically nothing. He was the smallest dog I had ever seen.

Back in the truck, Seamus and I had no idea what to do. It was thrilling to find a stray dog (that was in imminent danger!) but what to do next? Call the humane society? Animal control? Drive around and look for the owner? (This we did, half-heartedly, for about five minutes.) Should we put up fliers? One thing was for certain- the dog had no tags, and he looked hungry.

Let’s get him some food, I said. And a leash. I laid the dog on the front seat of the truck, between me and Seamus. A sunbeam fell on him from the open window, and his massive, marble-like brown eyes glinted wetly. He began to lick my forearm with his small, pink tongue.

HE’S SO CUTE! Said Seamus. Kinnikinnick clung, gecko-like, to the top of the front seat, and eyed the new dog suspiciously. Emy slept in the back, unalarmed. I touched the dog’s fur, looked at his small white teeth. The truth was, he wasn’t cute. Kinnikinnick was cute- small and brown and alert. Emy was cute- with her half-moon ears and good-smelling fur. This dog, however, was something else entirely- if there was a word to describe this dog, it did not exist in English.

Seamus and I had no idea what kind of dog it was.

Maybe it’s a long-haired chihuahua? The dog’s face looked kind of like Kinnikinnick’s- only more bulbous, and they were both small. But that’s where the similarities ended.

While Kinnikinnick was brown and sleek, like a little fox, there was no animal I could compare this dog to. This dog was white with patches of different colors, like a calico cat, and huge tufts of fur stuck out from his ears. His tail was long, plumed, and magnificent, and it curled, rooster-like, up over his back. I had never seen such a fancy dog. This dog was ridiculously overdone, like a like wedding cake or a catholic cathedral. Ridiculously overdone and then shrunk down really, really small. This dog was not just “cute”, this dog was a fucking Japanese animation. I ran my hands over the dog’s small body. His hair was long in some places, short in others, and on his underside it was matted with urine and what was probably poop. And beneath his fancy plumage you could feel his tiny, emaciated body, like the body of a bird. And he still had his balls- like huge brown chestnuts, lined up parallel between his back legs, as if there was no other way that they would fit on his body.
We bought a leash and a small can of dog food, and took the dog to Mae’s house.

We found this dog, we said to Mae.

No way, said Mae.

We put the dog on the floor with the food, and the dog began to eat. Not eat but snorfle, as if his face was a vacuum. Mae stood watching us, stirring almond milk into a bowl of oatmeal. Good light came through the windows and fell upon the tangles of tree branches that had been tacked in the corners. We offered the dog a small glass dish of water, and he consumed that as well.

Why is this dog so hungry? I asked.

Why is this dog so thirsty?

This dog is obviously neglected.

Feel his ribs, we said to Mae. She dutifully poked his matted fur, felt his tiny, prominent hip bones.

See his urine-covered belly, we said to Mae. She dutifully observed his stinky, tangled underside.

I Think We Should Keep This Dog, I said.

No way, said Mae. She was still eating her bowl of oatmeal.

Seamus’ eyes were glazed over in excitement.

Let’s keep the dog, said Seamus.

I took a picture of Seamus holding the dog, on the grass in front of Mae’s house.

Naomi, our friend in Portland, is a hairdresser and a fancy lady, and had been (somewhat quietly) wanting a little dog for some time, although her housemates were, at least at the moment, against it. Seamus and I had just found the best looking, most fantastical little dog ever.

I felt that this was Naomi’s dog.

I felt that Naomi’s dog had fallen from the sky. Naomi’s dog had escaped from a neglectful situation and run free, on the streets of Olympia, so that we could find it, and bring it to Naomi.

I sent Naomi the picture of Seamus with the dog.

Do you want this dog? It said.

Do you want this dog?

Seamus and I took the dog back to Otis’ house, and put him in the tent in the backyard. We hadn’t found any coffee so we climbed in as well, onto the airbed, and curled beneath the blankets for a nap. Good Olympia air moved through the mesh walls of the tent, bringing with it the smell of cedar trees, and far off was the sound of windchimes. It was cold out, still spring, but the three of us made a pocket of warmth, and I felt immensely contented.

When we woke, we couldn’t find the dog. He wasn’t between any of the blankets, or at the foot of the bed. Finally we found him, wedged beneath the airbed and the wall of the tent, in a little nest of blanket-corners. I lifted him up by his little bird-body and he blinked at me, his brown eyes watering endearingly. So easy, I thought, to lose such a little dog. He’s so tiny, you can lose him in a tent! Such a little scrap of fur, such a tiny spark of life!

What fire, I thought, as I looked into his too-big eyeballs, burns inside your tiny ribcage? What magical machinations make your existence possible? How small, your little organs?!

Back in Portland, I introduced the dog to my apartment. He immediately urinated everywhere, confirming my suspicions that he was not housetrained and had, in fact, been kept (so cruel!) in someone’s backyard. Kinnikinnick, while initially friendly, became much more guarded when she learned that all the new dog wanted to do was hump. His balls, still fastened so firmly to his undercarriage, were likely larger than his brain, and once hydrated and fed, it became apparent that he was driven by them to the exclusion of almost everything else. And Kinnikinnick, this fancy, rooster-like dog was certain, was destined to be his wife. But she, having been fixed, was firmly against this idea, and so they engaged in the elaborate small-dog acrobatics of the wrestle/hump deflection/snarly face/gremlin noises, much to the delight and entertainment of anyone who stopped by.

Naomi did some research.

“He’s a papillon,” she said.

I read the wikipedia page about papillons.

“They’re from the 13th century!” I said. “In France! Mary Antoinette had one! She clutched it as she walked to the guillotine!!

Naomi took the dog to the vet, and had him weighed. Four pounds exactly. He wasn’t just a papillon, he was a teacup papillon. He was, said the vet, a year and a half old. The vet cut off his balls. Naomi took the dog to the groomer’s, and they trimmed his matted fur. She fed the dog as much as he could eat, and he began to fill out, an ounce at a time. She named him Sonny.

As Sonny settled into Naomi’s house, with its collection of humans, its comings and goings, and its one other dog, his personality began to unfold. And, at least for the time being, he was a bit of a monster. Unhousetrained, he would poop in corners, the basement, the hallway. He would not come when called, would not respond to any sounds at all- so much so that for a time, Naomi worried that he was deaf. On a typical afternoon you would enter the living room to find him crouched, lion-like, above his rawhide bone, eyes blazing defiantly, a tiny, chain-saw like growl percolating from his insides. He would snarl and snap at the feet of strangers, and hop away like a ping-pong ball when you bent down to pick him up. He didn’t like to be held, and would wriggle like a fish in your hands when you finally caught him. He was like an optical illusion- so tiny, fluffy and kitten-like, so seemingly loveable- but on the inside, he was a maniacal sociopath- seemingly incapable of bonding with anyone.

But Naomi had patience.

Naomi didn’t have a car. Luckily, Sonny was portable. Naomi got a cute bag for him and stuffed him down into it, and carried him everywhere on her bicycle. Since he looked more like a toy than a real animal, she was able to sneak him into coffee shops, restaurants and shows. At night, in an attempt to make him cuddle, she stuffed him under the covers, but he popped out like a helium balloon and bounced to the foot of the bed where he curled up, just out of reach.

Still, Naomi had patience.

Boundaries were put into place for Sonny- no growling, no snapping, no attacking other dogs and humans. When he was being aggressive he could be flipped, using one hand, onto his tiny back, and held in place until he relaxed. He could also be picked up, at the scruff of his neck, much like the kitten that he was, and spoken to in a very authoritative voice- at which point the fight would lift off of him like mist, and his wet brown eyes would grow wet, and he might even- if you were lucky- lick your nose.


As the months went by, Sonny began, imperceptibly at first, to soften. He followed Naomi around like a wee shadow, and when she came home from work he would lift his front legs off the ground and clap his paws together like a tiny, animated toy. He would sometimes, now, allow others to pick him up, and he would even, on occasion, display something that was similar to affection. To reach this soft place in Sonny, however, to get him to do something like recline, casual-like, on your lap, as if that was no big deal, it was often necessary to wear him out physically first- and this was a challenge, as the fire that burned within him, in spite of his small size, was monstrously large.

In July I went backpacking with Kinnikinnick, Sonny, and Naomi’s partner, Finn. We picked a trail with lots of lakes, and there were such insane mosquitoes that we were forced to run, every second that we were out of the tent, to avoid being suffocated. (Exaggeration.) We didn’t want to run with our big backpacks on, so instead of carrying the packs for three days we hiked in four miles, pitched our tent, and the next day set out to jog the remainder of the trail. As long as we were running, the mosquitoes couldn’t get us, and as long as we wanted to be out of the tent, we had to be running. The night before, Sonny had been so hyper in the tent that Finn had barely been able to sleep- Sonny had thought that he was Outside, and that had made him feel Excited, and he had decided that he didn’t need to sleep, that he needed only to bounce like a flea back and forth across our sleeping bags, pawing excitedly at the nylon of the tent.

The next day we set out bright and early on our Epic Trail Run, hyper, sleepless dogs in tow. And it turned out that the trail, which passed by so many small lakes, was flooded in places, and in other places it was covered in patches of snow or blocked by fallen trees. The dogs, though, were not perturbed, and they vaulted over the puddles and slid over the snow patches like fearless, inexhaustible insects. The only humans we saw that day, on our long overland journey, were a pair of mysterious forest rangers, who would appear on the trail and then disappear, back into the foliage, as if by magic. We jogged sort of stumblingly through the forest from mid-morning to bedtime, our improvised backpacks bouncing against our shoulders, food and a water filter inside. We stopped at lakes to swim and eat chocolate and salmon jerky, and then we ran some more. Kinnikinnick and Sonny followed tirelessly along behind us, now and again darting ahead, ears up, to see what might be coming. Kinnikinnick, being the larger of the two, was able to leap, fox-like, over the fallen logs, but Sonny was too short and needed to be lifted, and he would wait, patiently, his eyes squinted softly in the forest light, for Finn to act as his hydraulic lift.

friendz

We returned to our campsite late in the evening, lowered our sore bodies into the flooded, broth-colored stream, and then put on every item of clothing we had brought so that we could crouch, for a few moments, in the thick, mosquito-filled air, and stir the gluten-free noodles in our camping pot. The mosquitoes enveloped Kinnikinnick and she bit at them, twitching and shaking her small body, but Sonny’s coat was long enough that he was impenetrable, and he watched us quietly in a rectangle of evening light, his small paws crossed contentedly. As we ate our salty noodles on the grass, the mosquitoes frantically biting at the backs of our hands, we saw that Sonny was, at last, tired. And that night he slept like the sweet, lovely little being that we had always imagined him to be- cuddled up in Finn’s sleeping bag or on top of mine, his little rooster-tail curled blanket-like around his torso, eyelids stretched peacefully over his huge, bulbous eyes. The next day we hiked the four miles out, and Sonny was so contented that he was sweet and agreeable for the rest of the trip, sleeping or letting himself be pet, squinting up at one or the other of us with his big, wet-brown eyes as if he was the most gentle dog in the world. And, when we returned to Portland, we were only admonished slightly for letting him run until his paws bled.

Sonny and Kinnikinnick, sleeping peacefully on the drive home.

As the summer waned, wee Sonny became consistently more agreeable and relaxed, and he began to bond with people more quickly, and allow himself to be captured and petted more easily. He was, as Naomi said, finally learning how to open his heart to love. He clapped his hands now for me, when he saw me, and when I lifted him up he licked my nose with his small, baloney-scented tongue. I would hold him in my two hands and bury my face in his thick, good-smelling fur, and in his small ribcage I could feel his tiny, beating heart. At first, he had been reluctant, and in time, he had grown softer. And like all wary little dogs (my own included) who are finicky and particular with their affections, when the narrow beam of Sonny’s love fell, at last, on my own heart, I was almost blinded by the caliber of its pure, uncontaminated goodness.

Two weeks ago, Sonny was attacked in a friend’s house by a larger, more aggressive dog. The attack was supposedly over a treat that had been dropped beneath the kitchen table, and in seconds it was over. Sonny died moments later, in the car on the way to the hospital. He had been in our lives for eight months.

Sonny’s death was a total shock not only to the people who had witnessed it, but to everyone who had been in Sonny’s life. Sonny, so seemingly alive, so full of fire and energy, was now, somehow, gone, blinked away, disappeared. It made no sense at all- like if you said an entire block had disappeared, or like the pacific ocean was now gone. Sonny was real. Sonny existed. Like how flowers exist, or trees exist, or rivers exist. There was the sky, the maple trees, the park, and there was Sonny. Just like how there was Kinnikinnick, and Seamus, and our friends, and school, and Emy, and our lives, our routines, our small dramas, our hopes and dreams and fears. In all of that, was Sonny. Firmly real. In the flesh. We had assimilated him into the fabric of our lives, and the tentacles of his existence were wound into the minutes and hours of our days- he was a three-dimensional object that we had manifested, running free on the streets of Olympia, and then subsumed, until there was no boundary between us and him, between our realities and his.

As yet, as quickly and bizarrely as Sonny had appeared, he was gone. I had never seen a dog like him, and there would never be one again. He had been created, the mold had been broken, and then, less than three years later, he had died. It made me question, suddenly, my assumptions about the existence of all living things- all of these animals, humans, objects that I assume to exist, that I trust to continue to exist, that I wake up each morning assuming will still exist. All of the things that I take for granted to be real, all of the trees and blades of grass, the walls of my apartment, my strange, grumpy neighbors, my small brown dog, the ground beneath my feel. All these things that feel so solidly REAL, so rooted on this side of the divide between existence and non-existence- when it seems obvious, now, that anything, at any time, could slip through to the other side, without a moment’s notice. Like a crack can open up in this current moment, this experience of reality that I assume, foolishly, to be somehow solid, and whatever is closest to the crack will just be gone.

How do you live, then, when everything you love can suddenly be gone? How do you make choices when what seems so real, today, on Sunday, can shift like loose gravel and be so different, after a period of time, as to be totally unrecognizable? How do you hold on, or not hold on, to what you love- how do you hold on and let go simultaneously, how do you stay present, constantly, in the moment, while making the assumption, still, that the sun will rise tomorrow?

Sonny did not exist, and then he did. He was not in our lives, and then he was. We did not know him, and then we loved him, we shoved some random clutter off the folding card-table of our hearts to make room for him. And there is always room, an extra corner, a few square inches of love. There is always room for everyone, there is always enough space. And then, after Sonny is gone, there is a small, Sonny-shaped hole. And the wind blows through it, and it has the feel of an old, abandoned house. And it’s lonely.

Sonny is gone, and if I learned anything at all from Sonny, it’s that we exist right now. Tomorrow, then, is anyone’s guess, but for the moment we are solidly, firmly here, so real that it’s nearly incomprehensible, so big and complex and infinite and alive that I can barely fit the idea of us into the field of vision of my heart. Because when we are real, we are almost bafflingly so- the realness of us spills out, all over everything, as if there is too much of it, an infinite amount, like there will always be enough, like we could never possibly run out. Our realness, not guaranteed to spill forward in time, spreads around us, instead, into space- shooting like energy light-rays into the worlds that we inhabit, vibrating every other physical thing in our existence on a scale of which it is impossible to comprehend.

My brain is small, and I cannot begin to understand the complexity of our realness, the size of our existence. I settle, instead, for a stumbling sort of impression, like fumbling in a dark attic, feeling objects with the palms of my hands. I tell myself that I am learning, through careful observation, the shape and texture of our universe, when in reality, by looking, I only grow more and more disoriented. I can only assume that this puzzle, like so many mysteries, is a thing that cannot be looked at or thought about directly but only felt, sort of obtusely, with the larger, blunter muscles of the heart. Not a shape but a rhythm, a feeling- not the object itself but its tangled, colored fringe.

Sonny is gone, and I’m starting to wonder if he ever existed at all. Did I make him up? What is more real, my feeling for him or his actual self? And what now? Do we let the clutter build up, until the card table is covered over again?

And what of the gaping, Sonny-shaped hole in the paper wall of reality, where the lonely breeze blows through?

Sonny was buried in forest park, in the soft, black earth beneath some big-leaf maples. It’s November and the air is cold, and rain falls nearly every day. A few weeks before Sonny’s death, Naomi had bought him a tiny, expensive jacket- shiny, black, and stuffed with down, it kept him warm as damp winter settled down upon the city. Naomi kept the jacket after his death and I know that now, in his new forest home, Sonny no longer needs it. Because the forest, crowded, tangled organism that it is, is arguably more real than nearly any city block. There is more life, more living, more movement, happening both above and below ground, in the forest, than I can possibly understand- and in this way the forest is like Sonny himself. And if it’s true that consciousness is a sort of trap, and death is freedom, then Sonny is home, his energies gone twenty-five different ways, to join the riotous cacophony of the rainforest- and he is neither cold nor alone, but sort of infinite- for as long as it lasts, and after that, will be something else-

And we love him, and we miss him, and that’s ok/is not ok, and that irreconcilable contradiction, whatever comfort that it is, will have to be enough.

backpacking

Summer was cancelled west of the cascade mountains, so we drove east into the desert, to where ponderosa pines stood tall in the yellow sunlight and clear rivers, flat and deep, wound their way through the soft ground. But thunderstorms followed us over the hills, and we camped in a torrential downpour the first night, next to a wet, cold lake that, when seen on brighter days, is breathtaking. In the morning we waited for the rain to stop but it would not, so we drove into the town of white rock-climbers and ate strange combinations of things at the wholefoods deli. Soon the clouds thinned, and grew paler, and the water ceased to fall, and the trusty sun peeked through, beating the already beaten ground. So we drove back into the mountain, the same route that you and I once biked, now wet, and with all the snow melted. Up and up and then down and over, to a lake so large it made its own tiny waves, where we filled up our water, folded our things, and set off into the forest for good.

The evening light was pure and good, the air was cool, and the forest was rolling and deep. Flooded, broth-colored streams made their lazy way through meadows that turned out, on closer observation, to be lakes. Sunlight criss-crossed everything. We camped on a damp patch of grass next to the trail, and as soon as we stopped moving the mosquitoes, overcome with joy, attempted to suffocate us with their small, eyelash-like bodies. Panicked, we threw up the tent and tumbled inside. We made dinner in the tent (sans rain fly), and ate. Rice pasta, sea vegetables, and an expensive can of salmon. We washed the dishes and then crawled back into the tent. Mosquitoes congealed on the tent walls and whined at us, tapping themselves uselessly against the mesh. We stared out at them in silence as the forest dimmed around us. Time thickened like cold honey, and then stopped. The dogs, small and mighty, burrowed into our sleeping bags. We fell in and out of sleep.

In the morning we removed the top sections from our packs and, using the straps from Finn’s sleeping pad, fashioned shoulder bags. In the bags we put dried pears, salmon jerky, rox chox, and a salami. We wore running shoes and our brightly colored, low-tech city clothes and set out, small dogs bounding in our wake, to walk/run to a lake seven miles distant. The trail was flooded, had become bog in some sections, had turned into shapeless, ambiguous water that gathered sunlight and harbored choking clouds of ravenous mosquitoes. Downed trees, stuck all over with pointed sticks, crossed the path at awkward angles. Sunlight fell in triangles. Beautiful grasses ringed everything. We ran, leapt over logs, lifted the dogs over logs, lost the path, found it again. Suddenly, a man appeared. He wore a beard and carried an axe. He stopped us in a friendly, if aggressive manner, and pulled a wilderness permit and a pencil from his hip pouch. We filled in the scan-tron like sheet while the mosquitoes gleefully attacked our faces.

“Do you have any mosquito repellent, by chance?” Asked Finn.

“I just have a little bit. Just enough for me.” Said the forest ranger.

We handed him our permit and he took a few steps and was gone- not on the path, not to either side of it, but just gone- as if he had melted, seamlessly, back into the forest.

“Where the fuck did he go?” Asked Finn.

“I don’t know.” I said, looking out at the tangled bog, the clotted forest, the empty trail.

We climbed a few hundred feet and the forest, sandy now, wrung itself out and became dry. The trees grew tall and they rustled a little in the breeze. Then we were upon Mink Lake, sprawling and clear. It was set like a garnet into the mountaintop. We stood looking, out of breath, feeling as if we could go forever. The mosquitoes, suddenly, were absent.

There was an outcropping of rock with a camp on it, but the camp was empty. There was a tent there, two cooking pots, and a dog, but no person. A small crank radio sat in the sun. We had found two oranges on the trail, split, but not rotten, and we sat with our backs against the rock and ate them. Presently a man appeared, paddling towards us in an inflatable raft, across the great expanse of the lake. Hallooo! We called to him. He reached the rock and climbed up to us, carrying his fishing pole. He was sunburnt and smiling, and wore only a pair of swim trunks.

“Name’s John.” He said. “Dog’s name is Daisy.”

He had walked in from another direction, was staying for several days. To fish. We bothered him for a little while and then I absconded to a small stretch of beach, where I took off all my clothes and walked bravely into the water. The water was cold. I swam out until I felt as though I might hyperventilate and then I returned to the shore and lay in the sun, the dirt soft and warm beneath me. Sonny, the five-pound papillon, curled like a fox in the shade of some pine boughs. Kinnikinnick, the eight-pound chihuahua, scratched a bed in the dirt and lay sprawled, wheat-colored sides rising and falling in the sunlight.

Time passed, somehow, even in the silence, even with the sunlight golden in the cloudless sky, even with the still, clear water. We gathered up our things, our stomachs full of chocolate and salmon jerky, and began the long walk back to camp. We walked quickly, and still we could not keep ahead of the mosquitoes. Finally we had to run, bounding through the forest like antelope. Back in camp, we threw ourselves into the stream, and let the cold water soothe us. Dinner was thick split pea soup with freeze dried vegetables and bits of salmon, and then in and out of sleep until dawn.

The last day we walked out, the sky a brilliant blue, the limbs of the trees baked white. We drove into town and ate vegetables, pork, tamales. The dogs were exhausted, sprawled like corpses in the backseat, the papillon’s paw pads raw and bloody from the walking. We ate the last of our chocolate and drove, reluctantly, west into the rain cloud. The skies clotted, the forest thickened, the ground became lush. Rain fell, splattering the windshield.

Now I am back in my apartment, my wonderful, beautiful apartment, with my noisy neighbors and the shady, forest-like dog park down the street. Kinnikinnick, exhausted, sleeps in a tight little ball on the couch, and dreams her small chihuahua dreams. Before backpacking I was doing other things, and had been away from my apartment for a month. But it feels as though I have been gone forever, for a hundred years. Now, at last, all the things that I have are falling in place around me, like debri settling after a tornado. Mornings are thrilling, days are hot and good. Magic, nature, and possibility are everywhere. Life is a huge, unpolished chunk of rose quartz, roughly the size of my heart.

s u n d a y

Overcast, warm unless the air is moving, reading Anne Carson,
I went running in the forest, in my old running shoes, that need replacing, on the narrow dirt path, squishy with mud. Finn and I, and the small dogs, like squirrels, out of place, which would wink out of existence, immediately, if western civilization were to collapse-
at least the Papillon, the chihuahua would survive, would dig a burrow in the dusty earth, eat mice, insects, grasshoppers, chicken bones, the dried stool of other animals, buts of hair, earthworms, clods of mud, grass, birdshit, discarded hamburger buns, would survive, would procreate, would carry on for all of us.
The forest was beautiful, cool and damp in all the right ways, like a breathing animal, without urgency, an animal who does not feel excited, anxious, who is infinitely calm, an animal like a grandmother, as old as a grandmother, the world’s grandmother. I’m finally bleeding, the storm clouds have broken, my heart is a wheatfield in the sunshine. I ran and ran through the forest, high on advil and the euphoria of baseless optimism, or rather clumsily jogged, although in my imagination I am an antelope, and nik nik is a squirrel, and our spirits are birds, and we will live forever.
For breakfast afterward I had happiness, contentment, bacon, greens, brown rice, eggs scrambled with fresh herbs, and a chocolate muffin that I had baked without sugar, at first had though was awful, had frozen, and now think is particularly delicious, like flourless chocolate cake, only with coconut milk in there, and mashed bananas.
I am going to try to blog more, unless I do not. I am going to the forest for a month, (I think), unless I do not. I do not particularly believe in things happening, in the future, (or continuing to happen), but I go through the motions, so as not to seem insane, and am constantly pleasantly surprised when the earth continues to turn, the sun continues to rise, I continue to find pleasure in affection, my dog does not leave me, only snuggles closer, while I sleep, spreading herself along my ribcage, resting her small snout on my armpit, breathing her small, good-smelling dog breaths on my face.
I have no hope, but I am grateful, and I will not curse this life by declaring that anything I love will continue to exist, and I will attempt, instead, to write its creation myth, so that we can somehow understand it, without looking directly at it, like the most distant stars, which exist, and do not exist, and show us the shape and depth of space-time, everything happening all at once, all piled up, there and not there.
Life is a feral dog, and by avoiding eye contact I hope to gain its trust.

p m s

In Seattle there are lakes, and the sun shines golden-green and you and the pit bull are swimming, side by side, in the water. Swimming with small waves and a cone of frozen yogurt, while the sun shines down, apologetic and warm, like an abusive lover. Really, we decided, while walking in the rain, the sun is at the mercy of the moon’s violent temper. The moon beats the sun, and fills the sky with blue-black clouds, her bruises, and the water that falls is her tears.

You are east, where the sun rises, bruised or not, and you are riding the enthusiastic beast of possibility. This afternoon, you are in Vermont. All I remember of Vermont is snowfall, and the tidy white buildings with their odd, narrow proportions. There would be no snow now, there would be a garden and all the plants would be flowering, and there would be green water and marinara sauce. You are out of cell phone range but I imagine you, growing more tan, growing and growing more into yourself, out of range of the electromagnetic field of my heard. Here in Portland June-uary I am a zebra in the forest of my insides, my uterus swollen with the suffering of all living things. I lay my internal light down on the alter of the new moon, and pay homage to the darkness. I whinny in anguish beneath the bruised sky, and pray for blood. In the freezer I have double-chocolate muffins and red meat. There is Anne Carson’s Autobiography of Red, and a chihuahua which, when placed on the abdomen, helps to draw out darkness.

Chihuahuas are nature’s abdominal poultices. They rest neatly on one’s belly, while one is reading Anne Carson on the couch. Their bulging, wet-black eyes leak rainbow waves of love-energy from between their sleepy, half-shut lids. Their small, good-smelling breath cleans the air. Their tiny beating hearts untangle doubtful thoughts and nagging fears, plaiting them smoothly together into a shining French braid of calm. Their persistent warmth relaxes the small, angry muscles of the guts.

In the science fiction novel of my imagination, there are Bleeders and Non-Bleeders, and the Bleeders must, each month, feel the suffering of all living creatures, while the Non-Bleeders feel nothing at all, ever, but the pull of their own addictions. It is the future, dystopia, and this division is the only thing that enables life to continue on its apocalyptically destructive path. I most likely will not write this science fiction novel, but someone should.

I need to cleanse, you text me, from the desert.

Tell me your sins, I say.

I met a lion, you say, in the painted hills, and it demanded that I transform.

How did you know it was a lion, I say.

I guessed, you say.

Why did you have to guess.

Its face was so bright, I couldn’t look directly at it. I looked to the west, at its shadow. It had the shadow of a mountain, and that’s how I knew that it was a lion.

And are you a mountain? I ask.

No, although I wish I was.

And did you tell the lion this?

Yes. I told the lion- Can you make me into a mountain? And the lion said- You are not a mountain. You are the ocean, and you carry everything inside of you. You are trying to be like a mountain, but you are the ocean, and the ocean must constantly transform. A mountain does not transform but starts whole and then slowly wears away. The mountain is singular and so straddles only a small chunk of space-time, but the ocean is infinite, and straddles infinity, and nothing, and everything, all at once, and has everything inside of it, and is always changing. You are the ocean but you are trying to be like a mountain. You must transform but you want to transform into a mountain, which is impossible.

Were you alone, talking to the lion?

I was alone, and I had nothing with me, except for a basket of fear and regret that I’d found in the trunk of my car, earlier, and brought along with me, in hopes that the lion would eat it.

Did you offer it to the lion?

Yes, and the lion wouldn’t take it. The lion said that since I was the ocean, I would always have the basket of fear and regret with me, in some dark cavern, even if the lion were to take the basket, and eat its contents, because I am infinite, and contain everything.

So if you contain everything, you contain the lion as well.

Yes.

And you contain me.

Yes.

And you contain the mountains.

Yes. For a little while.

And what did you say to the lion then?

I said that I was still afraid to transform, and the lion said that I must transform, because if the ocean does not transform it is the end of all life. The ocean transforming is the original source of movement, and movement is what makes the passage of time, or the illusion of the passage of time. Without this illusion there can be no life, only an infinite stillness, and were I to refuse to transform I would choose, instead, this infinite stillness, and the pressurized vessel of green life would crack open and the darkness of infinite space would rush in.

Don’t be afraid to transform.

I cannot not be afraid to transform. But I can be unafraid to be afraid to transform.

Do that.

I cannot say that I will do it. But I can say that I am not afraid of not doing it.

What else happened to you, in the desert?

I ate great quantities of meat and cheese. I saw seven magpies and a few thousand blackbirds. I absorbed the unbruised sky. I slept. I worried.

What is it that you are worried about.

I am worried about being worried. I am worried about being worried to be worried. I am a great hoop of worry, like Saturn’s rings, asteroids going round and round.

You have been knocked into orbit around the worrisome planet. You are a bleeder. You are a sponge, a vessel for dark magic. The sediment of time rests in you, all the suffering of living creatures.

Yes, and what are the non-bleeders?

They are satellites, dandelion parasols, shooting stars. They blink and go out. They are weightless, they carry nothing.

What are they looking for?

New lands, new planets, unguarded patches of grass.

And what if they find these things?

Bleeders will grow there, and bleeders will bleed, and bleeders will suffer. Such is life.

- e n d  s c i e n c e  f i c t i o n  n o v e l -

s p r i n g t i m e

Cherry blossoms are beautiful, my heart is ripped wide open. Everything goes back to beginnings, like a feedback loop of nostalgia, as if the middle never happened, the day-to-day, the text messages and the humming of electrical appliances. No, it was all explosions of flowers and sleepless, ecstatic mornings, time stopping and then slipping away, stopping and then slipping away, again and again and again.

“In the beginning,” says my acupuncturist, “love is like being on drugs. Around two years into it, that feeling wears away. You can quit, then, and start the process over with someone new, if you want, and live your life that way, or you can stick it out. If you stick it out, you might find that beyond the stagnancy there’s something new and unexpected and wonderful.”

My acupuncturist puts needles into my wrists, ankles and ribcage. She leaves me alone in the dim room and I feel my fears well up and wash over me, well up and wash over me. Afterward I pick dandelions and feel as though I cannot be dishonest.

The springtime, by definition, cannot be dishonest. The sandy, settled contents of the heart have been set loose, and they spill onto everything- the fragile pink flowers, the mud, the warm gray, clotted skies. It is impossible to be insincere. It is impossible to see anything but what exactly is happening. And it is impossible to think about the future.

And, for me, there is sadness. There is a heavy, cleansing sadness, like a sauna of feelings. Like a warm, soft exfoliant for the soul. It passes through me, taking with it anger and resentment, lifting them from my ribcage where they cling like small, incessant briars. It is only sadness that will remove them, a heavy, prolonged wash of sadness. The briars have been there for months and they are imbedded deeply in my tissue, and it is like a miracle that they will go at all.

Corinne and I go to the forest, weary and underslept, and we let Kinnikinnick run loose on the muddy path. There are trilliums, monumental firs, and in the distance the flat, polluted gorge. Waterfalls, swollen with rainwater, pound the earth. Kinnikinnick flirts with cliffs, runs sideways, and rolls in something foul. At the top we sit on a log and eat unsalted peanut butter on apples. The forest is epically quiet. All the snow has melted. In the distance, only water moves. I toss our apple cores deep into the forest (I know that you are not supposed to do this) and Nik-Nik fetches them back, dropping them in the fir needles next to the trail. On the way down, company increases, and we pass the Hall of Pit Bulls. Nik-Nik, off leash, emerges uneaten and triumphant. Company continues to increase until we are edging our way around strollers and gaggles of smoking teenagers, and finally we arrive at the ice-cream parlor and gift shop, where I shoplift a silver thimble.

“I needed a thimble.” I say to Corinne, as we walk to the car. On the way home we get pad-see-ew and eat it in my apartment, and then Corinne leaves to do homework in her brightly colored bedroom, with the cross-breeze and big table made from two-by-fours and her smell, like tea tree oil and coffee. It is no longer reliably rainy so I give Nik-Nik, who stinks, a bath in the kitchen sink with lavender shampoo. She tolerates the bath, the sloshes of warm water from a mason jar, on the condition that I feed her my leftover noodles. Afterward I wrap her in the only towel I own which she has not eaten a piece out of and rub the water from her fur. She then goes to sleep on the armchair beneath my sweater, contented, her small paws crossed in front of her.

Springtime.

Feelings, emotions, weather. I am a cloud of static electricity. I am the electromagnetic field of the heart. I am busting open the channels of my creativity and in the process I am loosening the tangles of twine that bind closed my sails. If there are winds, then I am sailing on them. The direction is unimportant, it is only the movement that matters.

Once, many years ago, I put my fingers in the ocean and asked the waves to show me home. I wrote “home” in the sand with my fingers. I imagined the deepness of the waters, the wisdom of the great and sensitive sea-beasts. I wished for direction, specificity, fixed coordinates.

You are home. Said the ocean. This planet is your home.

r o o t s

My father lives on Crataegus lane in Alaska. Crataegus is the latin name for Hawthorne, according to a dusty book I found in the library. There are three types of Hawthorne in the book, which catalogs a section of Pennsylvania representative of “all of the trees from Virginia northward into Canada and westward to the Mississippi Valley.” The kinds of Hawthorne in the book are Scarlet Hawthorne, Cockspur Hawthorne, and Dotted Hawthorne. In pre-columbian times, the Hawthorne trees were understory plants in the virgin forests. Now, in Pennsylvania, they form impenetrable thickets. According to the dusty tree book, the members of this genus are typically “low, bushy trees” with “strong, tortuous, spreading branches armed with stiff, sharp-pointed thorns”.

In Pennsylvania, the showy flowers appear in April or early May. The five petals are “usually white”. The fruits are like small apples, dry and mealy, with large, bony seeds. They are an important winter food of the ruffed grouse.

Most Hawthornes will thrive in the poorest of soils. There are an infinite number of different kinds of Hawthorne, on account of the fact that they are “very unstable, and hybrids are apparently very numerous”. This frustrates taxonomists, who cannot agree on what kinds of Hawthorne exist, since they are always hybridizing and changing, and looking like each other. In Portland there is a Hawthorne with small, red fruits, like berries. You can make jelly from these, although I have never done it.

When I return to Portland in September, there will be fruit on all the trees. The blackberries will be over but the apples and pears, both members of the rose family, will be clustered and heavy above the sidewalks. The light through the branches will be yellow, hazy and humid. Green walnut husks will pepper the ground. Time will go faster than it does in the woods, and days will blink by in an instant. I’ll ride my bike in the evenings when the shadows are long and let all the nostalgia wash over me, all the emotional memory of the season, of last year and the year before and every September that has ever happened, until it washes all away and instead becomes what is happening now, in this moment.

My birthday is in September. I don’t ever know what to do on my birthday, I feel bewildered and confused and can’t ever think of things I’d like to eat or what I do for fun. What do I do for fun? Read, laugh, have sex. Eat ice cream and blueberries. Swim. Sit in the forest and watch the ants wear paths in the dirt and wait for animals to come walking up. Make up stories in my head.

I think that, this year, all of September will be my birthday. It’ll be like a birthday present to myself, September. I’ll be back in Portland and getting ready for school and moving and I won’t be working my kitchen job anymore. I won’t be washing dishes and peeling cucumbers and cooking soup in the heavy-bottomed ten-gallon pot. I won’t be kneading bread and punching bread and baking loaves of bread in the oven that hums ferociously and whose hot sheet-pans burn your upper arms in stripes, called “earning your stripes”. I have one stripe and one half-stripe. I have been here five months. If I lived hear a year or two years I would have more stripes, the way the other cooks do.

I like to cook. I cannot think of many things more satisfying than preparing food for one hundred sixty people in four hours from scratch, with one helper, making the big pot of soup and cutting the crusty new bread and roasting the zucchini for spread and slicing the onions and snapping the ends off the green beans and then sitting and watching the people eat, your black apron dusty with flour, a mason jar of water in your hand. It is satisfying and I give everything to it and in the evenings I feel restless and empty. I run in the woods on the dry trail until I am hot and sticky with sweat and then I take off my clothes and lay down in the stream and then jump up sputtering in the icy water, new again like I have just woken up.

When I am not working or running I spend a lot of time on the phone with Corinne. She is always very far away. We tell each other about the worlds where we live, like writing letters home. I ask her what she eats. Sausage, she tells me. Avocado. Eggs. I tell her that after running I ate raspberries and sheep’s cheese and coconut ice cream. I tell her that it was all I thought I ever wanted to eat, but then after a few hours I was hungry again, so I ate sautéed green beans and split pea soup and wild rice and romaine. And then later I ate some orange chocolate. After we get off the phone I eat some chocolate peanut butter cups. The sugar is not good for me but lack of good company sometimes drives me to it. It will be easier in September, when I am not in the woods anymore. Unless, of course, for my birthday I want an icecream cake or an icecream sundae made of coconut icecream and melted dark chocolate and berries, in layers, icecream first and then chocolate and then icecream and then berries and then icecream and then chocolate and so on, like an enchilada. I would like to eat that in a stemmed glass, so I could see all the layers. The chocolate would be mixed with coconut cream to make it softer, although it would solidify just-so in the cold icecream. And then while I was eating my beautiful, infinite sundae that was like the wanting of icecream and the memory of icecream and the having of icecream and the icecream you are saving for later, I would pull the beautiful wrapping, made from 1970s national geographics, from a small square box, and inside would be a brand new pancreas. The note card would read- “love, from the trees.” And I would gasp in delight and try out my new pancreas immediately. It would fit exactly, and I would put my old pancreas in the freebox on the porch, where someone will find it and make it into a costume.

And that would be the Very Best Birthday. An infinite icecream sundae, and long life from the trees. Or maybe instead of a sundae it would be an icecream cake. Or maybe instead of icecream I will have sex instead, because I don’t need a new pancreas for that. I would like to be able to have sex Right Now, in the woods. I would like to open the freezer and find Sex in there, instead of gelato and cold peanut butter cups that someone had the foresight to put in there. But there is no sex in the woods. Sex is in the city, because that is where the gay people are. Only straight people live in the woods, and deer. And a few shy bears I have never seen. And the steller’s jays with their screaming alarm-clock voices. And the soft-bellied squirrels. And tiny, svelte chipmunks. And the crows that live on the compost heap. And the odd bunny rabbit. And low-flying bats, who criss-cross the paths at dusk. And fantastical cougars, who make no sound and who I imagine always watching, from the rhododendrons. And a strange family of creatures, perhaps raccoons, who break sticks for fun around my tent at night and chortle softly to each other in small, congested voices. And various other stick-breakers, too shy to be seen, who run errands in the woods after dark. Some of them walk carefully, tensing each muscle and startling and the smallest movement, and some of them are clumsy, tumbling through the undergrowth as if drunk, lost and looking for the path. None of them bother me, tho, no matter how flimsy my nylon walls and how elaborate my imagination, or how often I leave beef jerky in my tent, and so I have grown to trust them.

Now it’s late. It’s dark and all the stars are out, the big dipper and the milky way, which is like melted icecream in the sky. Corinne wrote a poem today for her grandmother, who was there one day and then was not there, while Corinne was up in the sky in a plane, crossing the country to get to her. It had been eight months since Corinne saw her grandmother last, and she lost another three hours going east in a plane, against the setting sun. Corinne’s grandmother was there and then she was not there, the way things happen, mysteriously. Also, besides grandmothers dying, babies are born. Babies are not there and then they are there. I cannot make heads or tales of any of it, birth and death. The stuff in the middle makes sense to me, the Being. It is the transition in and out of Being that seems so inexplicable. Corinne was Being, in the sky, and her grandmother was Being, on the east coast, in a hospital, and then immediately she was Not. She waited until all her five children were clustered around her, and then she was Not. Corinne visited her body, the next day, on a table in the funeral home, in a room with candles. Corinne looked for her behind the heavy drapes, but she was gone. She told me about it on the phone, while I sat at the picnic table beneath the incense-cedars, methodically dismantling the fleur-de-lis seedpods that had gathered there. A thing like a tree, I thought, ceases to be much differently than a grandmother. A tree is made of wood, half dead, and surrounded by other wood in various states of decay. It pulls water hundreds of feet up its pithy core, and throws down cones in the summertime. When a tree “dies” it simply stops drawing water, stops dropping cones, and becomes, instead, part of the trees around it, who use its wood to grow helpful fungus and more small, new trees, and as a bridge over streams for deer, and as a place for small, bumbling stick-breakers to live. And the “dead” tree sort of melts into the spongy forest floor, and continues to “Be”, in a great mat of things that “Are”, whose borders are fluid and indefinite and yet unarguably alive.

The first rule of thermodynamics is that energy cannot be created or destroyed. If this is true, where do “people” go after they die? Is it because we do not have visible roots, like a tree, and so it seems as though we are tethered to nothing, and we are incapable of comprehending the ways in which we actually exist? Because if we could see our existence, all twisted up with everything, the way I can see the trees’ existence in a forest, which eats itself and lives forever, then maybe we would understand more clearly what happens when we die, and what happens before we are born, instead of just the middle part, which seems to us like a spark from a campfire, flying away into the dark and then going out, for no reason whatsoever.

We are different from trees, but if you draw us in a chart the chart will look like a tree, the family tree. A family tree does not have stray bits, broken pieces, sparks that fly off into the dark and go out. A family tree is like a friendship bracelet or a braided river, coming apart and going together again, forever and ever, all the way back, way back hundreds and thousands of years, to thatched cottages and lean-tos, to Europe and Asia and Africa, to when we were early hominids, to apes, to single-celled organisms floating in the briny warm sea. And trees came from the sea, too, and stumbling stick-breakers, and bats at dusk, and eavesdropping cougars. And all the creatures braided together and came apart, and braided together and came apart, forever and ever and ever, and a branch from the family tree never broke and fell off and sputtered out alone or appeared spontaneously from the ether, not even once, not even one single time. And the beginning was in the briny sea or it was somewhere even farther back, farther back than we can comprehend because we are small and because we are made from it. We are made from the friendship bracelet of the creatures, and just because we walk on two legs and do not have roots does not mean that we ever begin or that we ever end- because we, like the great mat of plants called the forest, cannot be created or destroyed, only moved and branched and shifted like a river in its bed. And so Corinne’s grandmother never really stopped being, because there is Corinne, and Corinne will never stop being, as long as there are cougars, and soft-bellied squirrels, and owls that call out at night, mysterious and low, with immense wisdom and patience. I want to go into the forest and I want to stand abreast of the biggest oldest tree, and I want to put my fingers in its bark and say that I do not want immortality, I only want patience. Because my roots go back in time instead of down into the ground, and my heart beats like a hummingbird, and I want everything. And the wind whispers and the trees say that I can have everything, in time. In time.

I WANT


I want to bust you out of the city. I want to steal a car and drive up I-5 as fast as I can go. A nice car, a solid box, a bubble-pod, a car that smells like vinyl, nothing of the forest, a euphoric comfort machine. Stolen. What better thing to steal, than a car?

A stolen car and a suitcase full of money, to pay for all the gas. I’ll find the suitcase under some tumbled rocks on the mountain-top, underneath a giant Alaskan yellow-cedar of record diameter. A suitcase full of money and a car. The seas are filling with oil, the world is ending, who cares. This is no time to be pretending to know how to bake bread. This is no time for routine. This is no time for patience, for tolerance. This is no time to love the land of here below.

I’ll pick you up in my new car and then we can go anywhere. First, we’ll chase the sun. For moral. We’ll bust out of the rain cloud that clings to the cascade mountains and drive east into the summertime. It’s so bright out there that we’ll get suntans on our feet in the shape of flip-flops, even while driving. No more getting cheated out of summertime. No more pretending to know how to bake bread.

I never want to learn how to really bake bread. How to give an egg wash, sprinkle the loaves with seeds, mist the ovens with water to make a nice crust. I want to burn all bread loaves. Next, I want to burn all gluten-free bread loaves. I want to burn all pizzas. I want to burn the word PIZZA. As soon as I’m out of the rain cloud this feeling will pass. I’ll have my feet up on the dash, in flip-flops. Bread loaves can live. Bread loaves make a pleasing smell, sandwiches are sometimes interesting to assemble. Anything can go in them. Absolutely anything.

I’ve got you in the car with me and we’re busting out. Routine does not need us. School in the fall can Eat a Dick. Being far apart from each other is unnecessary. Missing your freckles come out, one by one, in the springtime, and seeing them only in bunches now and then, for a night or two, tears my heart apart. Now I’ve got you till the money runs out or we get sick of each other, whichever comes first. You’re wary of my plan, my stolen car, my mercurial wanderlust, but then I tell you that I’ll pay for your art school so you don’t have to spend your savings, and you feel better.

We go to North Dakota, because it is far from everything and not overdone. There’s an abandoned ranch, the grass waist-high. The wind blows ferociously, and sucks the moisture from our lips. The old house tips into the earth, but there is no mold anywhere. All the rooms are filled with light. The paint is peeling, and paint chips get in everything. I have a small gas generator for electricity. You’ve brought a good table and enough coffee to fuel a mild obsession.

All we do is fuck and work. We wake at dawn and run, without time pieces, down the pitted dirt road that goes through the grass. We can see the horizon in front of us, and I think of Laura Ingalls Wilder and her bareback ponies.

We run until we are exhausted, farther every day. There’s a stream to jump into, clear, with wildflowers. We bathe in the stream and then make breakfast out of things from our garden. We’ve cleared an overgrown patch of yard for our garden. It has volunteer watermelons and chicken bones in the dry soil. An old compost pile. We’ve got chickens. We eat and then I push you over into the grass and take off your clothes. We lay in the sun and bake. Then we crawl into the shade to fuck, because I am intolerant of the heat.

After fucking, we do not know what time it is. It doesn’t matter. We stumble, barefoot, into the house, leaving our breakfast dishes in the grass, and begin to work, you at your table and me at my computer. When we get hungry we eat from the big pot of food on the stove. Simple things, mung beans and brassicas and bone broth. Wild potherbs. Bacon.

When the sun sets we stop working, for we have no electric lights, and if we tried to work by oil-lamp we would go blind. The oil lamps hiss and we lay on the warm boards of the deck and watch the stars come out. I’ve got a banjo, and you’ve learned to play the thumb piano. Our hair is wild. We have no mirrors. It doesn’t matter, because we know how beautiful we are. We fuck again. All day, when we are taking breaks, moments of staring out the window at the tall grass, and the wind, we are thinking of new ways to fuck. Ways to fuck that no-one has ever done before. Fucking as improv, as spirituality, as ritual. Fucking that pushes our limits, our pain tolerance, our love for one another. Fucking that doesn’t try to be anything at all. Sometimes I read outloud to you from Little House on the Prairie while you masturbate. Sometimes I try and make myself come just by breathing and watching the clouds.

Frequently your coffee consumption keeps you from sleeping. These nights you sit up in bed and blind-contour draw my chin as seen in the moonlight. During the day you nap, and I write you love letters because I miss you, and feel my infinite smallness, all alone on the plain. I am like Ma in the dugout, when Pa has gone away to find work back east, and the blizzards will not stop coming. Only Ma was infinitely more patient than I am, because she never had the internet. Eventually you wake up, and find that I’ve taken off your clothes and tied you to the bed with some rope I’ve found in a broken-down stable. I’ve rubbed you all over with oil and placed warm stones along your spine. I’ve made constellations of your freckles with one of your shoplifted drawing pens. I’ve made you come seventeen times, in your sleep. You’ve had the strangest dreams, and you’re flushed.

Summer gets old and dried-up, and we run out of salve for our lips. We’ve eaten the twenty-pound sack of mung beans and are down to the bottom of our barrel of salt-pork. The wild pot-herbs have gone to seed and we’ve eaten all the watermelons. One day I wake up and want to read the news. You’ve been reading it on the sly for many months, and tell it to me in one long narrative there in bed, propped on your pillows, talking with your hands. I work in some magical realism to put the world back together, like an emulsifier. The seas are still filling with oil, there is still nothing I can do. The sun from the window is resting on your perfect tits, which have exploded in freckles. I pull the suitcase of money from under the bed. It’s empty. We haven’t grown sick of each other.

What to do next? Get married? There is nowhere else to run. North Dakota was the last place. You furrow your brow. You are both worried and excited by my mercurial wanderlust. Your hands are neat and square, the blue of your eyes has faded from the sun. I do not know what to do with you. Maybe I was exposed to too much lead as a child. All those peeling low-income apartment complexes. The lead weights in window dressings. Lead affects the part of the brain that determines impulsiveness, and one’s ability to learn from one’s mistakes. I flop back down on the sheets, and whine like a puppy. The sheets are thin and soft, like my grandmother’s sheets. They have small simple flowers on them. The sheets make me want to have sex, and sleep. They fill me with infinite peace, like my grandmother’s house, with its hardwood floors and chiming grandfather clock.

We don’t have money for gas, so we leave the car at the house, at the end of the long pitted dirt road. We use some of your savings to mail your art and art supplies and my computer back home, to the raincloud. Then we walk. It’s fall, and the wind blows drier than ever. I have a mason jar of water and a cucumber, and my banjo. We’re barefoot. Our jean-shorts are torn. My tye-dye shirt is faded and thin. Around my neck are rainbow freedom rings, and they glint painfully in the sun.

When we get to the small paved highway we’re so hot we almost pass out. A woman with air conditioning picks us up. She’s unhappy, so I give her my banjo. She rambles when she talks, and offers us diet sodas. You’re allergic to diet soda so to protect you I dump yours out the window when she isn’t looking. In this way you know that I love you, and that I Pay Attention. The woman is so excited by our energy that she calls her husband and breaks up with him, and then drives us to Oregon. She throws her shoes out the window, and after dropping us off in the raincloud she moves to a small beach town, and opens up a shop selling bath oils and gluten-free cinnamon rolls. She’s reached the end of her personal evolution and lives there, happily, until her death.

My problem is that I fear that I will never reach the end of my personal evolution. Back home, we both get jobs somehow, even though the world is ending and capitalism is becoming irrelevant. It feels good, to have routine. It’s much easier to pretend to know how to bake bread than to think. The wild part of me goes to sleep and I lose my suntan. The rains come back and we both have allergies. We don’t worry about what the next part will be because we both know that one day, the day will come when we won’t have to figure out the next part, that the next part will come for us, over the mountains in a tidal wave, and we’ll never have to think again.